Historical Memorabilia

This pair of antique wall plaques are possibly signed by an unknown artist, or identify the respective individuals in both, and are presumed to ori...

These pointed slippers, beautifully embroidered with light blue plum blossoms on black silk, were shaped to resemble a lotus bud and enhanced the diminutive shape of bound feet. A practice that began in the Tang dynasty and reached the height of its popularity during the Qing dynasty, foot binding was a painful process intended to make a woman's feet as small as possible by restricting bone growth from an early age. The smaller the feet the more attractive and erotic they were, giving elite women a mark of elegance and a distinctive - albeit tortured - gait of small, light steps. These beautifully preserved lotus slippers...

Copper and brass grain separator from Iowa; complete. Seedburo equipment company, Chicago 1912. Period: Last half of the 20th century. Origin: Iowa Si...

A superb 20th Century pair of vintage blue velvet chairs modelled after the chairs used by peers in Westminster Abbey during Queen Elizabeth's Coronation in 1952. Recreated for her jubilee in 1977, these chairs feature stunning blue velvet upholstery over sturdy wood frames. Crafted by William...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this vintage Masonic Lodge rotating wood sign with brass candle holders A g...

This colorful lithograph by H. A. Ogden was published in 1908 by Brigadier General J. B. Allshire. Originally published as a comprehensive series of U. S. military uniforms, this pri...

License plate is an original decorative object realized in the early 20th century. Made in Italy. The license plate is realized in silverplate and ...

Two sided beacon blanket with fringe. Catalog 302. Very good condition. 69" x 81" Period: circa 1920 Origin: Beacon Size: 69" x 81" Family Owned & Operated Cisco’s Gallery deals in...

1815 Spanish passport hand written on paper. Part of a large collection.

Porcelain group of the Chinese revolution, representing a soldier and peasant allies to the future. The inscription in Chinese means "army and peo...

A very nice flicker book, American girl champions. Flicker No.15. High Dives. This is a unusual flicker book, showing two high dives. Flicker books where...

Antique mid-18th century cast iron travel safe. Probably manufactured in France for storing money, important documents or jewellery. It would have been taken on long travels, perhaps on a long sea voyage or on the Orient express...

Antique 19th century Victorian solid silver presentation shovel, exceptionally large, the solid silver blade is engraved "Presented to Mrs Theobald, by the workmen of St Cuthbert's L...

Prehistoric Mimbres prehistoric pottery bowl in as found condition. The Mimbres region of the American Southwest is celebrated for the beautiful and expressive black-on-white pottery...

Rare factory made stand up beetle boot jack with toe grip and spindled ash pole ending in round knob. PERIOD: Last quarter 19th Century ORIGIN: United States SIZE: 32"H Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Cast Iron, Boot Jacks, Bootjacks, Antique, Vintage, Brown Brothers...

We are delighted to offer for sale this lovely 19th century Spanish marble wash stand A very good looking piece, made for washing clothes, now its...

19th century fruitwood mortar and pestle. Remnants of oxblood red and silver blue banded paint. Original pestle included. Origin: Eastern, United States Period: First half of the 19...

Red leather pouch to carry or deliver the mail with flap, decorated with gilt fleur-de-lys arabesques. Interior, two pockets, and a smaller one with flap. A folding gusset allows to ...

Ute sheep horn spoon with old tag “Ute, Pine River, Battle, Ex. Cottchall Collection. Collected 1870.” Brain tanned with blue and white beading on top. Per...

A late 19th century oak presentation wheelbarrow Commemorating the Great Western Railway Extension The presentation wheelbarrow carved from oak with finely carved ivy leaves and ...

Fyfe's patent first registered Sept 21st 1876, Pretty butterfly design skirt lifter.

A special silver coin commemorating the coronation of King George VI and Queen Elizabeth is inset into the base of this limited edition glass goblet. Crafted...

An early 19th century coach panel, larger than the norm, oil on board of an armorial centred by a typical shield, drapes and a warriors arm holding a s...

A carved and shaped teak seat back from the launch of minesweeper H M S Bluebell, of shaped rectangular form with a central panel with 3in brass lettering HMS Bluebell, with braced b...

Wilson Chilton’s mahogany Naval Architects/Naval draughtsman box of curves and templates, probably by Gillows still retaining around 100 superb quality...

This superbly crafted wheel barometer and thermometer has a mahogany case surrounded by twisted brass stringing and central panels of foliate tendrils above Russell’s signature thistle motif in black and gilt verre églomisé. It is surmounted by a brass Prince of Wales feather finial. The long, rectangular thermometer plate is inscribed ‘Thermometers: Beaumar, Fahrenheit, Royal Society of London’, the latter being an early attempt to standardise temperature measurement. The circular dial is inscribed ‘Changeable, Fair, Settled Fair, Much Rain’ and ‘Rain’ and signed across the centre ‘J Russell, Falkirk, Invt et Fecit, Watch Maker to his R.H the Prince Regent’. The reverse has a paper label ‘Russell, Iden Collection Inventory 1896’. Scottish, circa 1815. Provenance: Mr Walter Iden. Published: Percy G. Dawson, The Iden Clock Collection, Woodbridge, 1987. No.125, p.280. These ‘royal barometers’ were so named because John Russell of Falkirk...

Captain Sir George Collier’s presentation silver entree dishes and covers by Richard Cooke, London 1803, each plain rectangular with gadroon borders, covers with detachable vine twist handles, the covers engraved: ‘Presented by the Old Madras Insurance Company to Captn. Collier, Commander of His Majestys Sloop ‘Victor’, for his persevering & gallant conduct in chasing for two days, partially engaging & ultimately sinking the French National Corvette ‘La Fleche’ of superior force while advantageously anchored at the Mahé Islands.’ Dimensions approx.: 150 x 290 x 200mm / 6 x 11 ½ x 8 inches Total weight approx.: 3513 grams / 112 oz. troy. Footnotes: These silver dishes were presented to Captain Sir George Collier KCB (1774-1824) for destroying the 22-gun French corvette La Flèche whilst commanding Victor, 18 guns, in the Seychelles on 5 September 1801. After escorting troop transports into the Red Sea ahead of the British invasion of Egypt, Victor fell in with La Flèche off Diego Garcia. After an initial engagement, the corvette escaped to windward only to be found again four days later. A short but fierce action ensued during which the corvette caught fire, grounded on a coral reef and sank before a prize crew could secure the ship. As reward, the Admiralty made Collier post captain and gave him command of Leopard, 50 guns. Born in London, Collier entered the Royal Navy in 1784. As a midshipman, he was wrecked off Madagascar in 1792 surviving among the natives of that island for six months before being rescued by a passing Portuguese brig. Unfortunately, the brig was immediately captured by a French privateer and for two more years, Collier was confined as a prisoner of war on Mauritius. Returning to service in 1795, he was given his first command in Suffolk Tender. Following the Peace of Amiens, Collier commanded the Sea Fencibles at Liverpool. After accompanying the expedition to Copenhagen in 1808, for which he was knighted for delivering the admiral’s dispatches, he saw action, and was wounded, supporting the military Campaign in Spain. After the war, Collier was made commodore on the African station where he was employed suppressing the slave trade with such rigour that he was elected an honorary member of the African Institution, founded by William Wilberforce...

1891 map of Norfolk county Massachusetts including the towns of Wrentham, Franklin, Medfield, Sherborn, Norwood etc., measures: 23 x 31.

Audsley, George Ashdown and James, Lord Bowes ‘The Keramic Art of Japan’, Liverpool and London, Henry Sotheran, 1875. 2 volumes, first edition hardback folio including 41 coloured an...

This amazing footbath was created for Napoleon Bonaparte. It was part of the toilet service to be used during his exile on St. Helena. Just before shipm...

Adlake 55 Railway Non Sweating Signal Lamp. Ideal for decoration in a restaurant or cafe on a Railway or industrial theme The lamp has a single bulls eye window, no burner, it o...

British Rail Railway Speed Restriction Sign 45 MPH Original and very tall, the sign is in good condition the paint has been restored in recent times Overall height 115” (293cm), the...

A 14 point star Badge made by George Ward of Manchester and assayed in Chester in 1843  Engraved with "Presented to PCR George Heathcote by members of No...

Collection of Treen Kitchenalia, Butter Marker This is a great little Collection of Treen Kitchenalia, a Butter Marker, this has a naive cow carving, a lemon squeezer and a turned sycamore egg cup A good set for the collector, a bit of historical wood worm on the butter Stamp...

Discover a slice of history with this 20th Century Central European Metal Bike, a collector's delight that transcends time. Its durable metal construction a...

French Oak Spit Rack Holder for Roasting Jacks This is a chunky country piece, it is made in 2” thick solid Oak and will hold 4 Spits The Rack is in very good condition, it is ...

Created to commemorate the coronation of Queen Elizabeth II, this engraved glass tyg is a beautiful celebration of this historic event. Held at Westminster Abb...

A leather and wooden gaming paddle from the mid-20th century. This vintage game paddle from India features a wooden handle and droplet-shaped body which has been wrapped in stretched...

These old world fragments from a time of ornamentation and decadence will pop any space with a feeling of classic royal nobility. They are sturdily mounted on clear acrylic so that o...

A wooden decoration created in 20th century central Europe. Crafted in an inherently minimal design, this unique element doesn’t fail to please the eye all the way around its structu...

Polychrome dish commemorating Benjamin Franklin’s Discovery of Electricity by L De Boynes Benjamin Franklin one of the founding fathers of the USA and a very brilliant scientist...

Ceramic commemorative plate, The Netherlands, Amsterdam, 1925 Blue and white ceramic plate made in honor of a new building for the Jewish hospital of the Jewish-Dutch charity fund es...

1916 Ferrocarril Oeste - Once to Puerto Madero Freight Tunnel Commemorative Plaque. This stunning commemorative bronze plaque, crafted in 1916, celebrates the construction of the Fr...

19th century solid wood coffee table. Above it has a glass back In the centre it has a brass pot for flowers. Measures: 50 cm high and 110 c...

48 star, crocheted, antique american flag of the wwii era (1941-1945), a beautiful, homemade example, with a red, white, & blue hoist and flower-like stars: Crocheted American flag of the WWII era (U.S. involvement 1941-1945), with some interesting and beautiful features. Made entirely of cotton, the flag’s most notable attribute is the red, white, and blue color of its hoist. This was carefully stitched to the canton and the striped field with white cotton floss or yarn. The 48 crocheted stars are appliquéd to a length of navy blue plain weave cotton. With pierced centers, note how these more closely resemble flowers than stars, tipped this way and that on their vertical axis. Large, with respect to the canton on which they are placed, note how these crowd their boundaries and overlap into the field. The elongated format of the flag is also of interest and contributes to the bold presentation, as do the strong colors. Most crocheted flags are smaller than this one, or date to a much later period (namely the 1976...

1840 campaign kerchief featuring an image of William Henry Harrison on horseback in military garb, one of the first known campaign textiles in e...

13 Star American parade flag in an extremely rare design, with “protection to home industries” slogan on a fanciful, scrolling streamer, made for the 1888 presidential campaign of Benjamin Harrison; formerly in the collection of Richard pierce. 1888 Benjamin Harrison campaign flag, printed on cotton, with 13 large stars in a 3-2-3-2-3 pattern, upon which a whimsical, scrolling streamer is superimposed that features the slogan: “Protection to Home Industries.” There are numerous styles of both documented and undocumented, red, white, and blue bandanas and handkerchiefs, made for Harrison’s campaign in this year, as well as from the subsequent one, in 1892. Most bear variations of text to support the “Protection for American Industries” platform of the Republican Party. America was in the midst of the industrial age and there was a great deal of public interest, both in protecting growth and discouraging both imported goods and immigration. The constant stream of immigrants posed great challenges for a working families, competing for scarce jobs, in work environments that were already often far from ideal. In post-Civil War America, many of the working men were Civil War veterans. Bandanas abound from Harrison’s Campaigns, but flags do not. This example, along with three others, were once part of an 1888 patriotic quilt that was disassembled by a dealer and sold piecemeal to collectors. I eventually acquired all four. Fifteen to twenty years ago, these were the only four known copies. A couple of others have since surfaced, but the total count known still stands closer to 5 than 10. The use of 13 stars is seen in the flags of various candidates in the 19th century. Among these are Abraham Lincoln (1860 campaign), Henry Clay (1844 campaign), John Fremont (1856), and Benjamin Harrison’s grandfather, William Henry Harrison...

Commission pennants are the distinguishing mark of a commissioned U.S. Navy ship. Flown at the topmast, the typical American format is a long blue field, usually with a single row of white stars, although sometimes with their total divided into two rows, followed by two long stripes, red-over-white. A ship became commissioned when this pennant was hoisted. Flown during both times of peace and war, the only time the pennant is not flown is if a flag officer or civilian official was aboard and replaced it with their own flag. Sometimes the owners of private ships mimicked the use of Navy signals. Some seafaring men would have served in the Navy and become privy to various practices in that capacity. Others flew them purely for stylistic reasons, either on a regular basis or while the boat was dressed for special occasion. Hudson River steamers regularly flew pennants of this nature, as evidenced by period photography as well as the paintings of artists such as John and James Bard...

38 STAR ANTIQUE AMERICAN FLAG WITH A DOUBLE-WREATH CONFIGURATION THAT FEATURES AN ENORMOUS CENTER STAR, REFLECTS THE PERIOD OF COLORADO STATEHOOD, 1876-1889: 38 star American national flag, made entirely of plain weave cotton. The stars are arranged in a medallion configuration. This features an enormous center star, surrounded by two wreaths of much smaller stars, with a flanking star in each corner of the blue canton. The sort of disparity here, present in the scale of the large star, versus those around it, is both exceptionally unusual and graphically dynamic. Colorado became the 38th state on August 1st, 1876. This was the year of our nation’s centennial. Per the Third Flag Act of 1818, stars were not officially added until the 4th of July following a state's addition. For this reason, 37 remained the official star count for the American flag until part way through the following year. Flag-making was a competitive venture, however, and few flag-makers would have continued to produce 37 star flags when their competitors were making 38’s. Many flag-makers added a 38th star before Colorado entered the Union, in the early part of 1876, or possibly even prior. In fact, many makers of printed flags, called parade flags or hand-wavers, were actually producing flags in the 39 star count, in hopeful anticipation of the addition of two more Western Territories instead of one. It is for these reasons that 38, 39, and 13 stars, to representing the original 13 colonies, are most often seen on flags displayed at the Centennial International Exhibition. Hosted in Philadelphia, this enormous event was our nation’s first World’s Fair, lasted for a duration of six months, and served as the nucleus of celebrations held to honor America’s 100-year anniversary of independence. The 38 star flag became official on July 4th, 1877 and was generally used until the 39th state was added in November of 1889. This is probably a homemade flag, though sewn by a very skilled hand, or possibly, by two different individuals. The stripes are pieced and sewn entirely by hand, with remarkable care and precision. The canton is constructed of two lengths of blue fabric, that have been joined with treadle stitching. This was joined to the striped field by hand. The stars are double-appliquéd (applied to both sides) with treadle stitching. There is a treadle-sewn, cotton binding along the hoist, with five, hand-sewn grommets. It is extremely unusual to encounter this combination of sewing methods. Soon after the sewing machine was mass-marketed, in the mid-1850’s, flag-makers both public and private made good use of treadle machines, to join stripes, when constructing American flags. During the Civil War (1861-65), most stripes were treadle-sewn. Stars were another matter. Until the advent of electric machines...

38 star antique American parade flag with scattered star orientation, made of silk, with generous scale and vivid colors, Colorado Statehood, 1876-1889 38 star American national p...

Elaborate sailor’s souvenir embroidery from the orient with a beautiful hand-painted image of Washington crossing the Delaware, surrounded by a large eagle, federal shield, crossed flags, a cannon, cannonballs, and anchor, circa 1885-1910: Between roughly 1880 and 1915, American sailors visiting the orient could obtain beautiful needlework embroideries on shore, with patriotic American themes. These extraordinary works of art were acquired as mementos of a long voyage, often with the hope that they might be presented as gifts for loved ones and friends. Using silk floss, elaborately embellished with both silver and gold metallic bullion thread...

ENTIRELY HAND-SEWN, 32-FOOT, SHIP’S COMMISSION PENNANT OF THE 1845-1865 ERA, A HOMEMADE, COTTON EXAMPLE, WITH 13 STARS ON A CORNFLOWER BLUE CANTON, IN A BEAUTIFUL STATE OF PRESERVATION Commission pennants are the distinguishing mark of a commissioned U.S. Navy ship. A ship becomes commissioned when the pennant is hoisted. Flown during both times of peace and war, the only time it is not flown is if a flag officer or civilian official is aboard and replaces it with their own flag. Flown at the topmast, this would be the first thing one would see coming over the horizon and identified the vessel as a warship. Sometimes the owners of private ships mimicked the use of Navy signals. Some seafaring men would have served in the Navy and become privy to various practices in that capacity. Others flew them purely for stylistic reasons, either on a regular basis or while the boat was dressed for special occasion. Hudson River steamers regularly flew pennants of this nature, as evidenced by period photography as well as the paintings of artists such as John and James Bard...

Rare & Beautiful American Parade Flag With Images Of Teddy Roosevelt And His Great White Fleet, 1907-1909, Ex-richard Pierce Collection: 46 star parade ...

Antique American Flag With 36 Stars On A Cornflower Blue Canton, Civil War Era, 1864-1867, Reflects The Addition Of Nevada As The 36th State; A Great Folk Exaple With Haphazard Rows Of Starfish-like Stars: 36 star American national flag of the Civil War era with outstanding collector traits. Haphazard rows of fat, starfish-shaped stars fill most of the confines of a brilliant, cornflower blue canton. Note the crude piecing of the thirteen, red and white stripes, joined in an ill-planned manner that results in great variation in width, as well as general irregularity. The 4th red stripe actually falls slightly below the canton, and the height of each does not line up with the corresponding stripe on the reverse. This can clearly be seen at the fly end, which is is turned back and bound to repair obvious extended use in an outdoor environment. Clearly the maker lacked experience in seam work. Lining up the necessary components, so that they could be viewed on both sides, presented a challenge they may have not previously faced. This is also evident in the sewing of the stars, which do not line up on the obverse and reverse sides, as they typically would in a flag sewn by an experienced flag-maker. That said, this is just this kind of homemade charm that fuels interest in early American flags...

Indiana State Flag With Square-like Proportions, An Offset Device, And Gold Fringe, Circa 1930-1955: Despite the fact that most of the United States joined the Union during the 18...

IRONSTONE PLATE WITH "VOTES FOR WOMEN" TEXT, MADE JOHN MADDOCK & SONS FOR SUFFRAGIST ALVA BELMONT FOR MARBLE HOUSE, HER FAMOUS ESTATE IN NEWPORT, RHODE ISLAND, CIRCA 1914: Porcelain objects related to the Suffrage movement are extremely scarce. The most celebrated of all American suffrage dinnerware consists of a service of white ironstone, commissioned by Alva Belmont,* prominent Newport, Rhode Island, socialite. Belmont was the founder of a pro-suffrage group called the Political Equality Association. According to Suffrage memorabilia expert Ken Folley, "There are at least eight different examples known in this design, including a cup and saucer, a lunch or dinner plate, a salad or bread plate, a berry bowl, a soup bowl, a celery dish...

34 STARS IN A WHIMSICAL RENDITION OF THE GREAT STAR PATTERN, ON A CIVIL WAR PERIOD FLAG WITH A CORNFLOWER BLUE CANTON, UPDATED TO 39 STARS IN 1876 34 star American national flag with additional stars added and one of the most stunning graphic designs I have ever seen in early flag-making. The original pattern was comprised of a circle of 5 large stars, and triangular arms made of smaller stars. These are noticeable pointy and bent like the arms of a starfish. Made of cotton, the stars are hand-sewn and double-appliquéd to a fantastic, cornflower blue canton, a color common to Civil War uniforms...

EXTREMELY RARE U.S. WAR DEPARTMENT COMMISSIONING PENNANT WITH 13 STARS, A REVERSAL OF THE U.S. NAVY COLOR SCHEME, TWENTY-FOUR FEET ON THE FLY, SP...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...

“THE MAN WITH A HEART, THE PARTY WITH A SOUL”: FRANKLIN D. ROOSEVELT POSTER, MADE FOR HIS 1936 PRESIDENTIAL RUN, THE BEST OF ALL KNOWN EXAMPLES ACROS...