Architectural Gold Leaf Sign Letter "W" Large-Scale

A matched pair of wooden foundry molds. Large-scale measuring approximately 48 inches wide and 40 inches high. Would make an impressive wall decoration or could be repurposed as a ta...

A one-of-a-kind important and historical aeronautical achievement presentation in the form of a lamp. Engraved on what appears to be a brass mortar shell. Presented by the Japanese government to Arthur Smith in 1916. Arthur Smith was a famous American airplane pilot during the early 20th century. Measures 28.5 inches to top of finial. This lamp was presented by the Japanese government to Arthur Smith in 1916. Aerial exhibitionist Art Smith barnstorming Japan in 1916, 1917. A 10 year old, Honda Mamamatsucho, pedaling a borrowed bicycle over 10 miles to witness the event. Honda would later cite the experience as one of the most impressive things he"d ever seen which cemented his interest in mechanical objects and motorized vehicles that years later led to the creation of the eponymous company bearing his name. SOURCE: HONDA MOTOR COMPANY ARTHUR R. SMITH 1890-1926 Was Fort Wayne Indiana's "Bird Boy." He was a pioneer of aviation, a creative thinker, and a hard worker whose self-confidence and faith brought the thrill of flight to legions of people across the U.S. and Japan. Just two years after the Wright Brothers flight at Kitty Hawk...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

A set of 2 cast aluminum fork and spoon wall sculptures by Curtis Jere. Large-scale measures 46 inches high. Fun for home kitchen or commercial restaurant decor. Fork: 45.63 inches ...