"In Through The Back Door" by William S. Phillips, WWII Themed Lithograph, 1981

Presented is an original WWII poster from 1942, promoting the purchase of War Bonds. The poster depicts a smiling soldier in khaki uniform and cap, as he waves from a ship’s porthole...

This is the artist proof edition of an untitled hunting scene by Douglas Adams. The print was issued in a limited, numbered edition of 300 and is signed by the artist in the margin. ...

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

American 1945, a striking offset lithograph of "Dauntlesses" flying on their way to the Battle of Midway during the second World War." Below the illustration is an inscription reading "A few against many, Dauntlesses from far-off carriers race to the Battle of Midway, June 1942", signed in ink "Frank Lemon...

Vintage Snaffles WWI Military Print, The D.R. A good hand coloured Snaffles WWI military print 'The D.R.'. The lithograph shows a despatch rider on a motor cycle, racing past two dead riders in the road, a sign saying "Do not loiter here, this spot is DANGEROUS", a wayside shrine with Jesus on the cross and with the caption 'Remarkable close to the old bus...

This dynamic serigraph by Mark King captures the thrilling energy of horse racing, with jockeys urging their mounts forward as they round into the stretch. Executed in King’s signatu...

ABOUT Richard M. Bennett lithograph titled Departure, limited edition on wove paper, signed by artist and numbered in pencil 5/50. Description on mount board reads, “Approaches… to ...