1720 Weigel Köhler Engraving of the Camp of the 12 Tribes of Israel

O/7821 - interesting French book that I saved from ruin: they are usually dismembered to make prints to sell individually. This one is intact, with its 24 printed plates. Nice to ...

McKenney, Thomas L. (1785-1859) and James Hall (1793-1868) History of the Indian Tribes of North America; With Biographical Sketches and Anecdotes of the Principal Chiefs, Embellished with One Hundred and Twenty Portraits, from the Indian Gallery...

3 Vol. Thomas L. McKenney, History of the Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with one hundred portraits fro...

Cutter, William. The Life of Israel Putnam, Major-General in the Army of the American Revolution, Compiled from the Best Authorities. New York: Derby & Jackson, 1859. Later printing....

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

3 Volumes. G.N. Wright, The People's Gallery of Engravings. Bound by John Mylrea in 3/4 red calf and marbled boards bordered in floral open-tooling. The spines display a black morocc...

Andoversford: Whittington Press, 1985. First Edition. Imperial Octavo, 10 3/8 x 7 3/8 inches (265 x 190 mm); xvi + 44 + 4; Number 91 of 335 copies signed by the artist. Bound by Smith Settle in natural canvas, engraving within a rectangular blind panel on the front; white spine label; headbands, top edge brown, rest uncut; Colorplan Bagdad Brown endpapers. Printed in black, the title-page in black and red, and the captions in grey, hand-set in 12-point Bell; Zerkall smooth white wove and Zerkall Silurian papers; 52 wood-engravings and a line-block reproduction of an engraving by Gwenda Morgan...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This enamel-on-iron street sign, produced in Israel in 1948, features bold Hebrew lettering spelling "רחוב החיל" (Rehov Ha-Hail), translated into English as "Street of the Soldier." ...

Massive Industrial Era C Clamp. C-clamps are generally small tools, but here is a "monumental size" clamps more than likely used for specialized equipment such as handling heavy ston...