Bronze Collectibles and Curiosities

Standing at 16 inches in height, this large scale nineteenth century Napoleon III period hourglass features three turned ebonized wood disks joined by bronze supports and finished wi...

Elegant French holy water font dating from circa 1900–1910, crafted from richly veined onyx, adorned with an ormolu gilt bronze relief depicting the Virgin Mary with Child, and fitte...

This is an antique schoolmaster's hand bell. An English, bronze and ebonised lignum vitae dinner chime, dating to the Edwardian period, circa 1910. A tactile and substantial example,...

Theodore Alexander Medieval Suit of Armour. Styled after an original 16th Century German suit that sold at auction for well over $50,000. Retai...

Italian Bronze Crab and Marble Ashtray. Vintage life-size crab climbing on edge of solid carved grey Bardiglio vide poche/ashtray the perfect size for cigar smoker or for cigarettes....

This exquisite antique photo album, dating from 1907, is a historically significant piece from the Russian Imperial era. The cover is crafted from gilt bronze with a prominent centra...

A late 19th Century French gilt bronze reliquary with removable glass insets that hold an embroidered sachet. Measurements: Height: 14.5" Diameter: 9"

Japanese Type 65 Naval Binoculars (1984) by Kowa – With Full Illumination Controls This outstanding set of Type 65 8cm twin-eye naval binoculars, manufactured by Kowa Co., Ltd. in Ap...

Stunning and perfect running Gothic architectural design bronze wall clock, from circa 1880. If you like rare antiques in general and one of a kind clocks in particular then this handcrafted specimen for wall mounting could be the perfect addition to your collection or Gothic (inspired) interior. This fine quality antique...

Rare and beautiful bronze Art Deco Christ wall sculpture. Some works of religious art depict Christ in terrible agony, but this symmetrical specimen from the European Art Deco era i...

Stunning 19th century Gothic art pendant with three gargoyle sculptures. This late 1800s church relic truly has an aura of religiousness about it...

1930s Art Déco black lacquer and gilded bronze cigarette case by Jean Dunand, France By: Jean Dunand Material: bronze, copper, tin, metal, lacquer, enamel Technique: cast, molded, m...

An old and exceptional completely lacquered akoda-nari suji’bachi kabuto (helmet with raised ridges) with a bronze maedate (decorative front piece) shaped like a spade, and mounted b...

Impressive 19th-century bronze bust of Christ with the Crown of Thorns, signed E. Marioton. The sculpture depicts Christ in a moment of serene sorrow, his head slightly bowed beneath...

Neoclassical French Gilt & Silvered Bronze Complete Table Top Boxed Chess Set, Consisting of 33 pieces, 16 gilt bronze playing pieces, 16 silvered playing pieces, and the bronze-mounted chess storage box pedestal. This exquisite neoclassical French chess set...

A hanging articulate three-piece gilt bronze brooch "Purgatoire" also known as "Le Ciel, la Terre, et l'Enfer." by Line Vautrin. Each element with f...

Exceptional Period Renaissance processional cross early 16th century, France Extremely rare and beautiful processional cross from the early period of the French Renaissance. This ...

A very fine 19th Century maybe 18th Century bronze swivel Malayan antique Lantaka Cannon with a yoke mount. Lantaka cannons are a type of portable cannon or swivel gun historically u...

Superior quality large scale Italian Grand Tour bronze of the god Silenus after the Roman original excavated at Pompeii in 1864. This very fine cast shows the god holding aloft a coi...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect esteem by the workpeople in the employ of Messrs Richard Johnson Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

Gorgeous modern bronze verdigris menorah from Israel, circa 1980s. The menorah measures 8"W x 3"D x 10.5"H and is quite heavy and solid. #3787

A rare set of two handcrafted heavy bronze door handles from an old temple in Nepal, mid-19th century. Figurative male sculptures depicting a fertiliy deity used on entry doors as a ...

1900s Astonishing large “Fragata Siglo XVIII”model ship in walnut wood. Handmade. Made in England. This model is amazing and in excellent condition and all handmade. A true piece of ...

Rare and wonderful antique clock from the early 1800s. Marked: S. Devaulx, Paris. Having an impressive, stylish and sizable antique clock like this gracing your mantel piece or sid...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

An iconic piece of Japanese military-grade optics, this pair of Nikon 20×120 binocular telescopes represents one of the most highly regarded large-format observation instruments of t...

Gothic revival religious ecclesiastical bronze chest casket / jewelry box circa 1910 A finely cast solid bronze rectangular casket features stylized decorative gothic archway panel ...

Imperial Russian Bronze Commemorative Cross of the Crimean War, 1853–1856 A rare mid-19th century Imperial Russian bronze devotional cross commemorating the Crimean War (1853–1856)....

Decorative and tactile, late 18th century mortar set. Mortars have been used for centuries by private people and by people in certain trades. In the kitche...

19th-century cast bronze Fang People torque neck collar from Gabon. The opening is 3.75 inches, and the piece weighs over three pounds.

Commissioned by a special client as the perfect stage for their chess battles, this table is a showcase of NOVOCASTRIAN’s creative ability, of almost 10 years of experimentation, ref...

Very beautiful baluster censer decorated with gadroons from the Louis XIV period. This censer / incense burner / church clock / perfume burner in openwo...

Buddha bronze head from Thailand (1600-1700s), loosely mounted on a black-painted wooden base. The head has a beautiful and serene expression, while the bronze features a natural, a...

A French art deco cigarette case. This is a gorgeous cigarettes case created in Paris France during the art deco period, between the 1925-1930. The case has been crafted in a rectan...

Impressive and amazingly detailed altar crucifix. Over the years we have been blessed with the opportunity of purchasing many antique church relics and we have always found new home...

Amazing walking stick with a built-in horse sizer, crafted from bamboo with a silver-plated metal ferrule, dating from the early 20th century. Bamboo was a popular wood at the time, ...

Rare – 1987 Franklin Mint ‘The Raj’ Chess Set "The RAJ" hand painted India-British War 1857, Franklin Mint highest quality metal chess set game year 1...

One of a kind, large and beautifully handcrafted, work of religious art. An antique bronze crucifix corpus of this size is a rare find and to have been given the opportunity to purchase one of such beautiful quality and details more than made our day. The striking anatomy and the unique patina of this large wall sculpture of our Lord Jesus are truly marvelous and we could see this antique go...

A rare Russian five color polychrome enamel bronze travel icon depicting scenes from the life of the Prophet Elijah including the Fiery Ascension. The border in cornflower blue enamel and scrolled foliate elements topped by the Old Slavonic inscription- Obraz Sviatovo Proroka Ulii- Image of the Holy Prophet Elijah. In the upper left corner is of the hand of God on a white enamel background signifying the clouds. To the right is the Fiery Ascension of Elijah with his dynamic winged horses on a background of finely hand chased flames with stylized wind gusts. The Prophet holds the reigns in his right hand and reaches out with his left to his follower Elisha with a mantle for the parting of the waters of the river Jordan. The river Jordan takes center stage in the icon as a dramatic element - a wide swath of flowing waves with the scenes from the life of Elijah depicted to its left: The Prophet Elijah in the wilderness; Elijah hides in the desert and is fed by an Angel; and Elijah and Elisha crossing the river Jordan parted by Elijah's mantle. This scarce icon is especially significant for the Old Believers tradition. The Old Believers were the chief makers of bronze icons, created by using fire rather than painted by hand. The veneration of the Prophet Elijah, who through his sacrifice, was able to call for fire from heaven manifests a special connection for the sect. Fire, ogon in Russian, was viewed as a purifier and a link to the Last Judgement and the end of the world. Polychrome enamel icons...

Handcrafted and truly beautiful Gothic chandelier for candles. In antiques it often is the case that the older a piece is, the better the quali...

Vintage Pal Kepenyes bronze/brass necklace, 20th century. This Hungarian born artist worked in Mexico for decades, known for free-form sculptural jewelry...

From the Ramakien a Thai Ramayana. A scene from Ramakian or Ramayan, the Indian epic Lakshman riding in a chariot along with Rama and Sita sitting in the back. After his victory over Ravana, Sri Rama prepares to leave for Ayodhya, Rama now told Vibheeshan that there was just one more day...

Unique and stunning 19th century copy of a 16th century Gothic art chandelier. With another year of selling rare and beautiful antiques almost over, we are proud to offer you one of...

French Art Deco Virgin Mary Holy Water Font by Poncet, France, ca. 1920 — Bronze, Marble & Glass. This exquisite French Art Deco holy water font ...

Very unique large maritime/nautical brass and glass hourglass. Wonderful dorm and design. Brass has a wonderful patina and can be polished if desired. H...

This is an absolutely incredible rare and truly unique pre-expulsion Iberian Peninsula handwritten Esther Scroll, inked onto animal leather parchment (15th century, -laboratory teste...

Antique ship bell made of bronze, including its original charred wood yoke, steel and iron fittings. With clapper. A ship bell is used for the indication of time as well as other tra...

A wonderful heavy cast bronze, hinged/lidded box, lightly polished, and glowing. Depicting ancient relief scenes / characters of Ancient Roman or Greek...

Beautiful and meaningful, Gothic church relic from the late 1800s. This stunning and all handcrafted five-light chandelier from the 1870s is designed in the shape of an advent wreat...

Cold paint decorated Vienna bronze figural group in the manner of Charles Dickens Christmas Carol with a gentleman wearing top hat and holdi...

Gorgeous mid/late 1800 religious art for the collectors and enthousiasts. In antiques it very often is the case that how older the piece is, the better the quality and the details. ...

IMCO mechanical lighter made by the Julius Franz Meister Company. This is an amazing authentic petrol lighter original from the art deco period. This industrial piece was originally designed and patented by Hans Silverknopf and was made in Austria back in 1925-26 by the Julius Meister Company, JMCO commonly know as IMCO. This is the final 4th model storm thumbwheel, called IFA-1000. It was crafted in solid polished brass and is fitted with mechanical sliding elements. This lighter has the rare sub-variety in the snuffer, is rounded and domed on top. The function is very simple, the metallic wheel on the lighter, when pushed down by one's thumb, will rub against the ferrocerium to produce a scorching spark. Simultaneously, the petrol vape is released, which is vaporized (depressurized) as soon as it exits the container. This lighter is original not a reproduction and has been cleaned and polished to bring back his original splendor. IMCO The company was founded by Julius Franz Meister in 1907, the Julian Meister Co. (JMCO/IMCO) began as a button and metal goods factory in Vienna. Bernhard Silberknopf became a company partner during 1911. The factory began manufacturing lighters after World War 1. The first lighter model, the "Imko Feuerzeug" was patented in 1920 and several other models were produced during the early 1920s based on this patent. Hans Silberknopf patented the design for the famous "Ifa" Sturmfeuerzeug in 1925. IMCO produced other several models based on this patent. The design was copied by multiple U.S. and Japanese companies during the 1930s and 1940s and countless replicas have been produced. Frequently deceptively characterized as "trench lighters...

Rare pendentif dit coppression par César, signé. « Ses parents, Omer et Lelia Baldaccini, italiens d’origine toscane, tenaient un bar à Marseille où César est né, avec sa sœur jumelle Amandine, en 1921 dans le quartier populaire de la Belle-de-Mai, au no 71 de la rue Loubon, dans le 3e arrondissement[1]. « Je suis fondamentalement un autodidacte absolu », dira-t-il[2]. À l'époque, il dessine et bricole des carrioles pour son petit frère avec des boîtes de conserve. Néanmoins, après avoir d'abord travaillé chez son père (il aide également un voisin charcutier pour un maigre salaire après avoir quitté l'école à douze ans), il va suivre de 1935 à 1939 les cours de l'École supérieure des beaux-arts de Marseille ; en 1937, il obtient trois prix, en gravure, en dessin et en architecture[3]. Non mobilisable pendant la guerre (il échappe également au STO), il vit d'arnaques avant de s'installer à Paris pour être admis, en 1943, à l'École nationale supérieure des beaux-arts avec Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne et Philippe Hiquily, comme lui dans l’atelier de Marcel Gimond. En 1945, il retourne à Marseille pour épouser Maria Astruc, avec qui il monte un commerce (ils divorceront en 1959). Il revient en 1946 à Paris où il occupe un atelier dans un ancien bordel au 21 rue de l'Échaudé, dont les chambres, à la suite de la loi Marthe Richard, avaient été attribuées à des étudiants[4]. Il y rencontre Émilenne Deschamps, qui deviendra par la suite une de ses égéries. Devant l'impossibilité pour lui de travailler la pierre, en raison de son coût, il se tourne vers d'autres matériaux[3]. Dès 1947, il travaille le plâtre et le fer. En 1949, il est initié à la soudure à l'arc dans une menuiserie industrielle de Trans-en-Provence et utilise le plomb en feuilles repoussées et des fils de fer soudés. En 1951, il visite Pompéi et reste marqué par les moulages des corps des habitants pris dans la lave[3]. En 1952, il utilise des matériaux de récupération peu coûteux et réalise ses premières sculptures en ferrailles soudées : ses moyens sont alors toujours modestes. Ainsi, par manque d'argent et pour s'offrir du marbre, César va récupérer dans les décharges de ferraille les matériaux de ses premières sculptures : des tubes, des boulons, des vis qui deviennent des insectes ou se retrouvent dans les courbes puissantes de la Vénus de Villetaneuse (1962). En 1954, il expose à la galerie Lucien Durand à Paris et obtient le prix « collabo » pour une sculpture intitulée Le Poisson[5], réalisée à Villetaneuse, ville où il travaillera une douzaine d'années grâce à l'aide d'un industriel local, Léon Jacques[6]. Il acquiert la célébrité lorsque son œuvre est achetée 100 000 francs en 1955 par l'État pour le musée national d'art moderne[7]. La même année, il expose au Salon de mai. L'année suivante, le MNAM achète Chauve-souris de 1954 et le musée d'art moderne de la ville de Paris Le scorpion de 1955. À partir de 1954 (Torse, MOMA), il réalise également des sculptures en métal soudé, puis en bronze partiellement poli, de femmes plantureuses (Ginette, 1958, Victoire de Villetaneuse, 1965). En 1956, il participe à la Biennale de Venise puis à la Biennale de São Paulo et à la Documenta II en 1959. En 1958, il signe un contrat avec la galerie parisienne...

Beautiful, unusual late 18th century Russian bronze travel icon of Saint Antipas, Saint Florus and Saint Lavros. Saint Florus and Saint Lavros are the Patron Saints of horses in Ru...

Steam engine train locomotive desk lighter This is a very nice trench art petrol table lighter of a steam engine locomotive created between the WWI and WWII. The elusive locomotive has been crafted by a talented artisan and assembled with parts made up in copper, brass Steel. Trench art lighters...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

A petrol desk-lighter designed by Sarastro This is a beautiful petrol desk lighter created in Pforzheim Germany by the Sarastro Industries Company, back in the late 1925. This lift-...

It is an absolutely outstanding with very rare and original design Seder Plate, hand-crafted out of Bronze by famous art deco maker Koloman (Kolo) Moser who was one of the founders o...

AUTHOR: Dance Card Notebook. TITLE: 19th C. Palais-Royal Work Mother of Pearl & Gilded Bronze Dance Card Notebook. PUBLISHER: France, c.1800's. DESCRIPTION: 1 vol., 3-3/4" x 2-1/...

This monumental and architectural church fixture could be the perfect addition to your Gothic collection or interior. If you appreciate the history and beauty of the French Gothic style then this amazing light fixture from the late 1800s could be perfect for you. When we first saw this work of lighting art, we were in awe and, as it goes with great antiques, we still are. The magnificent design, but also the quality of all the handcrafted and bronze elements make this antique chandelier a true work of art and a real joy to look at. With five Gothic style, winged gargoyle...