Early 19th Century Musical Instruments

A wonderfully decorative early 19th century harp, decorated with gesso applied grecian figures and motifs. The harp has had a hard life, with elderly repairs, knocks and plenty of ...

Antique harp by Brimmeyr Workshop Brimmeyr à Paris wood, stucco around 1826 Dimensions: H x W x D: 167 x 47 x 80 cm Description: Beautiful and extremely elegant pedal harp with 43 strings from the workshop of the famous harp maker Brimmeyr in Paris. The base of the instrument, standing on paw feet, is elaborately stuccoed with palmettes, hippocamps and lyres. On the back are seven fold...

"LONGMON, CLEMENTI & COMPANY" 1798–1830 Piano English in satin wood and other woods. Folding lid. Some flaws. Dim.: 82 x 165 x 60 cm good conditions Clementi & Co 1798–1830 Pianofor...

An oversized antique Swiss music box band offers a instruments to include bells, drum and castanet with cylinder player encased in rosewood box...

England, early 1900s Solid mahogany The exterior has been repolished with a pad, spirit and shellac. With fins for sound amplification Complete with album discs with title index ...

A decorative Irish gilt and satin wood harp in country house condition, produced around 1837/1839. The Harp is in very much untouched condition, elderly word worn is apparent. The...

Harp signed by Sebastian Erard's Patent Harp N. 881 N. 18 Great Marlborough Street London datable between 1808 and 1809. Erard (Strasbourg, 5th April 1...

Decorate a living room or a boudoir with this elegant antique Regency pedal harp. Crafted in England by Jacob. Erat, London circa 1820, the double action musical instrument features 42 recently replaced strings to the gilt foliate faux rosewood sound board. The grained soundboard with five swell doors is further decorated on the inside with hand painted chinoiserie motifs. The fluted column is embellished at the neck with gilded cherub faces, caryatids, leaf decor and ram's head figures. The base decorated with acanthus leaf motifs, is mounted with seven brass pedals on paw feet, and embellished with dolphin figures decorations in gilt. The harp is in good condition with a rich bronze and patinated finish and has engravings which reads: "J. Erat Maker Wardour Street Soho London 878". May need some repairs. We put decorative strings on. Jacob Erat (1768-1821), the harp maker, worked in the Erard factory as foreman in the late 18th century. He then set up on his own business "The Erat Harp...

This impressive harp by the French maker Érard is stylistically ‘Grecian’, its decorative motifs being drawn largely from Greco-Roman precedents. The Classical influences can be seen in its gilt fluted column, the moulded palmettes present throughout, and the spare and refined gold-and-white colour scheme. The harp is inscribed on the top frame “Sebastian Erard...

English mahogany bronze mounted lyre music stand with intertwined floral and musical satinwood inlays, adjustable music rest and telescopic brass cylinder, ...

This rare George IV silver mounted crocus-wood flute was made by Monzani & Co for George William Rabett. It is fitted within a purpose made seagoing Campaign box with an applied brass plaque engraved with the coat of arms, crest and motto of Geo: Wm Rabett. The silver keys with round covers are stamped with a coronet, while the body is impressed Monzani & Co. 28 Regent St Piccadilly London surmounted by a coronet and numbered 2342 and further inlaid with a silver plaque engraved with monogram G.W.R. within a garter and motto, surmounted by the family crest of Rabett. There is also the original key and an extra mouthpiece circa 1825. Hallmarks of Tebaldo Monzani and Henry Hill, London, 1823-1824. English. 1823-1824 Length of flute approx.: 28 1/3 in (72cm) box, height 3 ½ in (8.5cm), width 14 ½ in (37cm), depth 4 ½ in (11cm) Born in Verona, Tebaldo Monzani (1762-1839) was a professional flautist, composer, music publisher and innovative instrument maker. Appearing in a London concert for the first time in 1785, Monzani formed a partnership with Giambattista Cimador (1761-1805) and founded ‘The Opera Music Warehouse’ which published, among many others, the operas of Mozart. Following Cimador’s early death, Monzani formed a new partnership with Henry Hill (1781-1839) as Monzani & Co. specialising in flute making and music publishing. Following Monzani’s retirement in 1829, the firm was continued by his partner as Hill, late Monzani & Co. George Rabett (1795-1858) entered the Royal Navy inDecember 1810 as midshipman on board Galatea, 42 guns. Soon afterwards Galatea, in company with two other British frigates, engaged three French ships off Madagascar in a ‘long and trying action’ which left 16 of her crew dead and 46 wounded. After further service in the East Indies and Cape of Good Hope, in 1813 Rabett moved to Cydnus, 38 guns, participating in the capture of the United States Privateer Bunker’s Hill and then accompanying the expedition against New Orleans where he joined the army for operations ashore. In the peace, Rabett remained at sea - surviving shipwreck on the coast of Labrador and several months frozen up in the arctic circle - and was made lieutenant in January 1826. He was then appointed to Musquito, 10, in which he participated at the Battle of Navarino on 20 October 1827 and in several other operations during the Greek War of Independence. Returning to England he was made supernumerary in Nelson’s old flagship Victory and given temporary command of the royal tender Onyx serving the young Queen Victoria. However, despite good connections and a long, active and distinguished career during which he was said to have been ‘severely hurt in the execution of his duty’, Rabett never achieved flag rank demonstrating the difficulty of advancement in peacetime. His reputation today largely rests on his widely admired invention, in 1830, of a ‘Substitute Rudder’ to replace a lost rudder at sea although it never seems to have been adopted by the Royal Navy. Music and dancing played a vital role in maintaining morale and whiling away long hours at sea for both men and officers in the Royal Navy of Rabett’s day. Many captains took private bands on board or sought out and hired accomplished fiddlers to entertain their crews (see Duckworth silver page 46). Officers practised their own instruments - as immortalised by Jack Aubrey’s efforts to master the violin in the Master and Commander...

Vintage Leipzig C. F. Peters Beehoven Sonaten Sheet Music Book Heavy dark green book with gilt gold lettering on cover. Title page is illustrated in brown and black. No print date, circa late 1820 Sheet Music Book. Heavy hardcover book with gilt lettering on cover. All text is in German. No print date, circa late 1800. There are 400 pages. Ludwig van Beethoven wrote his 32 piano sonatas between 1795 and 1822. Although originally not intended to be a meaningful whole, as a set they compose one of the most important collections of works in the history of music.[1] Hans von Bülow called them "The New Testament" of the piano literature (Johann Sebastian Bach's The Well-Tempered Clavier being "The Old Testament"). Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to concert hall performance.[1] Being suitable for both private and public performance, Beethoven's sonatas form "a bridge between the worlds of the salon and the concert hall" "Beethoven" redirects here. For other uses, see Beethoven (disambiguation). In this Dutch name, the family name is Van Beethoven, not Beethoven. Ludwig van Beethoven Portrait by Joseph Karl Stieler...