Steinway Model A Grand Piano in Statement Tiger Mahogany

Rococo style, 1874, Steinway Sons Centennial concert grand piano with a rosewood case, filigree music desk and ornately carved, reverse scroll legs. Piano is rebuilt. The piano cheek features a carved, Classical meander and acanthus in high relief. The two-pedal piano lyre features carved inverted fish, c-scrolls and a central cartouche. The music desk in an openwork arabesque design and a central lyre motif. A sinuous wave pattern double moulding surrounds the cabinet base. At the 1876 Centennial Exposition in Philadelphia, Pennsylvania, there were several manufacturer's competitions, including a piano competition. The Steinway company sent two grand pianos displaying their latest developments, demonstrating the firm's innovative and markedly improved piano quality. Their determined pursuit of quality was rewarded at the world exhibition with a gold medal. Steinway won the competition against several established, well-known American piano makers, including Chickering and Sons and Weber. This Steinway concert grand...

An 1861, Erard grand piano with an ornate burr walnut, black and gilt cabinet. Piano casework features Egyptian Revival and Neoclassical elements. Th...

Quality Yamaha baby grand piano with an overstrung iron frame, frame and sound board in perfect condition, mahogany case standing on square tapering legs wi...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...