17th Century Collectibles and Curiosities

Amazing collection of 5 extremely weathered vellum books, Spain/Italy 17th/ 18th century. Weathered and small losses and old repairs. More photo's available on request H:20-38cm W:...

Lovely hand carved wooden Madonna with child with traces of old color. Despite of the fact this piece has several losses , she has a wonderful and strong expression and beautiful old...

Unique tabernacle with its original gilding. Great piece to display a small private collection. Beautiful decorated with a sunbusrt and acanthus leaves, Italy, circa 1650-1750. Weath...

Carved wooden angel, high Baroque, late 17th century - early 18th century Origin • Bavarian (Munich / Augsburg), Austrian (Salzburg / Tyrol), South German Length measured in a straig...

Antique Map of Rhodesia & British Central Africa – Published by George Philip & Son, 1895 This detailed antique map titled "Rhodesia & British Central Africa" was published in 1895 ...

This map covers the northwestern coast of Greece and part of present-day Albania. The map was drawn by Johannes Wilhelm Laurenberg, a mathematician and historian who produced several...

Untitled antique print of a Japanese noblewoman transported in a pushed rickshaw or jinrikisha. This print originates from Arnoldus Montanus' "Gedenkwaerdige Gesantschappen der O...

Very nice carved oak fragment of a Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base

From Christian Dior, France, a 1960s Era belt made of five gold-tone snake chains bound at three intervals with soldered rectangular stations. The chains hang in a graceful swag. The Christian Dior stamped...

ANTIQUE SILVER CRUCIFIX/LATIN CROSS A striking and decorative piece made from continental silver with a central crucifix engraved with a fairly naive depiction of Christ. The centr...

An antique map of the Tuscan city of Pisa engraved for The 'Itinerarium Italiæ Nov-antiquæ' by Matthäus Merian the Elder and printed in 1640....

Palermo – 1620 Braun & Hogenberg Bird’s-Eye Map of Palermo, Sicily This beautifully detailed bird’s-eye view of Palermo, Sicily, was created by Georg Braun and Frans Hogenberg aro...

Antique map titled 'Tino.' This original antique map shows the island of Tinos, Greece. Source unknown, to be determined. Artists and Engravers: Made by 'Olfert Dapper' after an a...

Buddha bronze head from Thailand (1600-1700s), loosely mounted on a black-painted wooden base. The head has a beautiful and serene expression, while the bronze features a natural, a...

Very beautiful baluster censer decorated with gadroons from the Louis XIV period. This censer / incense burner / church clock / perfume burner in openwo...

A rare and important 17th Century Italian Engraving of Willem Blaeu's Great Wall Map of America, "America quarta pars orbis quam plerunq, nuvum orbem apellitant primo detecta est ann...

A very beautiful 17th century Baptismal Font from the South of France beautifully carved from marble. Minimalist lines give this piece a calming feel. Wil...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...

Antique map titled 'Biscaia, Guipiscoa, Navarra et Asturias de Santillana'. Charming map of Northeastern Spain with the areas of Pamplona and Valladolid. This map originates from...

Very rare William and Mary pewter trefid spoon the handle molded in relief with portraits and dating from around 1690. The spoon has an elongated rounded ...

"Corpus Of Christ (indo-portuguese, Circa 1660–1700)" Corpus of Christ (Indo-Portuguese, ca. 1660–1700) Corpus of Christ in Polychromed Wood Goa, Indo-Portuguese, late 17th century C...

Ivory diptych sundial for latitude 48 degrees with vertical and horizontal dials, pin gnomon for Italian hours and lunar volvelle. Compass needle and glass cover. On the plain back ...

17th C. Sheet Music "Feria vi. Paschae" (page 191 and 192) Excellent example of Latin sheet music for Catholic church services. Bold red title and notations, with red staff lines. N...

17th century Dutch bronze mortar, dated 1632 and with border text "lof God van al anno 1632". Height 12.5 cm, Diameter 14 cm

"But I will wear my heart upon my sleeve" AUTHOR: SHAKESPEARE, William. TITLE: Othello, The Moor of Venice. A Tragedy. As it hath divers times Acted at the Globe, and at the Black-Friers: and now at the Theatre Royal,... PUBLISHER: London: for Richard Bentley, 1695. DESCRIPTION: SIXTH EDITION. (ii)76pp., complete, quarto, 8-5/8" x 6-1/4", several leaves with untrimmed bottom edges, some toning and foxing to pages, closed tear to F2 mended without loss, a few headlines slightly trimmed but generally good wide margins, ex-libris Viscount Mersey of Bignor Park with book label...

Antique map titled 'Novissima Totius Terrarum Orbis Tabula, Auctore Nicolao Visscher'. Gorgeous example of Nicholas Visscher's World map, which appeared...

Old 17th century miniature antique map of 'Cambaia' , from the 1616 edition of Jadocus Hondius Atlas by Petrus Bertius. Original copperplate engraving with hand coloring. Carto...

A Rare and Important Renaissance "Judaica" Carved Oak Wood Cabinet, circa 1680 We are pleased to present a rare and important Renaissance Judaica c...

Glanvill, Joseph Plus Ultra; or, The progress and advancement of knowledge since the days of Aristotle. In an account of some of the most remarkable late improvements of practical, u...

A rare and complete first English edition of this seminal work. Pliny, Gaius Secundus / Plinius, Gaius Secundus (23­-79 AD) / Translated by Philemon Holland. The Historie of the Wor...

Antique Venetian Marionettes, Antique Puppets, Venice Carnival Antiques, Masked Ball Antiques, Venetian Mask, Commedia dell'art Theatre Marionettes. Co...

Rare Antique Map of the Americas with Island California by Justus Danckerts, ca. 1696 This exceptional antique map titled Novissima et Accuratissima Totius Americae Descriptio per I...

This rare and fascinating map, titled "Atlantis Insula a Nicolao Sanson Antiquitati Restituta" by Guillaume Sanson, presents an unusual interpretation of the Western Hemisphere, comb...

Antique map titled 'Royaume de Bourgogne sous la seconde Race des Roys de France'. Detailed miniature map of the Burgundy region, France. Originates from Mallet's 'Description de l'U...

Giovanni Pietro Olina. UCCELLIERA; Overo discorso della natura e proprietà di diversi uccelli e in particolare di que' che cantano, con il modo di prendergli, conoscergli, allevargli, e mantenergli. Rome: Andrea Fe, 1622. FIRST EDITION. Large Octavo, 9 3/16 x 6 7/8 inches (232 x 175 mm);pp. XI + 161 + [12], including 66 full-page engraving of which 43 represent individual birds and 23 illustrate the materials about trapping and caring for birds; woodcut initials & tail-pieces, light offsetting as typical, a little browned, a few stains, A7 lacking small portion from inner margin, E4 with small paper flaw holes at head just touching head-line; 18th century diced russia, rebacked, flat spines divided into panels by single gilt rules, gilt title and publication year, rubbed, corners worn, gilt-rolled turn-ins, marbled endpapers. Front pastedown with the engraved armorial bookplate of Thomas Philip Earl de Grey...

AUTHOR: RICAUT [Rycaut], Paul. TITLE: The History of the Present State of the Ottoman Empire. Containing the maxims of the Turkish Polity, the Most Material points of the Mahometan...

A late 17th Century, antique Renaissance Tabernacle door made of hand crafted Walnut, in good condition. The detailed wall panel décor piece is composed wi...

"Silver Reformation Commemorative Medal 1630, 100th Anniversary Of The Augsburg Confession" Silver Reformation Commemorative Medal 1630 — Johann the Steadfast — 100th Anniversary of ...

Antique print titled 'Gebergte van Sang-Won-Hab'. Old print depicting the Sang-Won-Hab mountains (China) with many ships on the river between the mountains. This print originates fro...

Beautiful Hand carved group of winged angelheads. Wonderful traces of paint are visible and the wood has a gorgeous natural patina due to its high age Spain, circa 1650-1750 Weathere...

17th century Polychrome wooden Niche with Angels and Pilasters.

Scultetus amputation saw, late 17th century, early 18th century. It measures 32cm in length, with an 11cm blade. The blade can be removed by loosening the two screws, which are in go...

AUTHOR: HERBERT, Edward Lord, Of Cherbury. TITLE: The Life And Reign Of King Henry The Eighth. PUBLISHER: London: for many, 1683. DESCRIPTION: FOURTH EDITION. 1 vol., folio, 11-1...

1640 Antique Map of North Africa 'Nova Barbariae Descriptio' by Johannes Janssonius This antique map titled Nova Barbariae Descriptio*, published by Johannes Janssonius around 1640,...

AUTHOR: DIGGES, Sir Dudly. TITLE: The Compleat Ambassador or Two Treaties of the Intended Marriage of Qu: Elizabeth of Glorious Memory; Comprised in Letters of Negotiation of Sir F...

Antique print, titled: 'De Stadt Saccai. La Ville de Saccai.' - ('The City Saccai'). This plate shows a view of Sakai in the Osaka Prefecture, Japan. Sakai has been one of the la...

Holy Land Divided Among the Twelve Tribes – Six-Part Map by Jan Jansson and Georgius Hornius, circa 1658 This rare and impressive six-sheet engraved map of the Holy Land was publish...

This is a distinctive antique French patinated boxwood altar Corpus Christi of Christ crucified on an olive wood cross, dating from the late 17th Century.   The details  are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned and raised on a stepped base.   The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In good condition. As an antique item, the piece shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, it displays beautifully. Dimensions in cm: Height 64 cm x Width 26 cm x Depth 13 cm Dimensions in inches: Height 2 feet, 1 inch x Width 10 inches x Depth 5 inches The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages). The basic forms of the cross are the Latin cross with unequal arms (✝) and the Greek cross (✚) with equal arms, besides numerous variants, partly with confessional significance, such as the tau cross...

17th Century Map of Southern Portugal by Sanson – Hand-Colored, 1679 This stunning 1679 map of Portugal offers a captivating glimpse into the past, showcasing the country's geograph...

Sword with Wrought Iron Blade with Traces of Gold on Hilt with Leather Cover Sheath

17th century Spanish wooden crucifix figure sculpture.

Title: Mauritius, Banda Islands, Ternate and Tuban – Orlers, Leiden 1610 Antique print from Jan Janszoon Orlers’ Den Nassauschen Lauren-Crans, published in Leiden in 1610 and engrav...

"Notitia Iuris [juris] Belgici, Francisco Zypaeo, Antverpiae - Law Of The Spanish Netherlands 1665" Summary of the Law of the Spanish Netherlands Zype, François van den (Franciscus) ...

This is a deluxe edition in two volumes which does justice to the splendour of this incomparable collection. This collection has never before been the subject of such an important wo...

AUTHOR: NALSON, John. TITLE: A True Copy Of The Journal Of The High Court of Justice, For The Tryal of K. Charles I. As it was Read in the House of Commons, And Attested under the ...

Ancient Map of Palestine or the Holy Land by D'Anville (1767) This detailed map, created by the renowned French cartographer Jean Baptiste Bourguignon d'Anville in 1767, depicts the...

Imaginary Plan of Jerusalem by Blome after Villalpando, 1689 This impressive antique engraving presents an imaginary plan of Jerusalem by Richard Blome, published in 1689. The engra...

The map of Batavia (modern-day Jakarta) from 1681, attributed to Frederick de Wit holds significant historical importance for several reasons: Historical Context 1. Colonial Era: This map dates back to the Dutch colonial era when Batavia served as the administrative and commercial hub of the Dutch East India Company (VOC). The VOC was a powerful trading entity that played a crucial role in the global spice trade and colonization in Southeast Asia. 2. Strategic Importance: Batavia was strategically located on the northwestern coast of Java, providing the Dutch with a critical base for their maritime operations. The city became the center of Dutch political and military control in the region. Cartographic Significance 1. Detailed Urban Layout: The map meticulously details the layout of Batavia, including its fortifications, canals, streets, and significant buildings. This level of detail provides insights into the urban planning and architectural styles of the period. 2. Military Engineering: The fortifications shown on the map illustrate the advanced military engineering techniques used by the Dutch to protect their valuable colony. The walls, bastions, and moats indicate the strategic considerations taken to defend against potential invasions. 3. Maritime Activity: The depiction of ships in the harbor highlights Batavia's role as a major maritime center. The VOC's fleets were essential for trade routes connecting Europe, Africa, and Asia, making Batavia a crucial node in global commerce. Artistic and Cultural Value 1. Artistic Elements: The decorative elements, such as the lion holding a shield and the intricate cartouches, reflect the artistic trends of Dutch Golden Age cartography. These embellishments were not only informative but also served to display the cartographer's skill and the map's prestige. 2. Cultural Exchange: Maps like this one provide evidence of cultural exchange between the Dutch and the indigenous populations of Java. The blending of Dutch and local influences can be seen in various aspects of the map and the architecture of the city. Rarity and Preservation 1. Rarity: Maps from the 17th century, especially those in good condition, are relatively rare and highly valued by collectors and historians. Each map provides a unique snapshot of historical geography and urban development. 2. Preservation of History: This map serves as a historical document, preserving knowledge about Batavia's cityscape, infrastructure, and colonial governance. It helps historians and scholars understand the socio-economic and political dynamics of the period. Conclusion The map of Batavia from 1681 is special due to its detailed depiction of one of the most important colonial cities in Southeast Asia during the Dutch Golden Age. It reflects the strategic, economic, and cultural significance of Batavia, serving as a valuable resource for understanding the history of Dutch colonialism and its global impact. The map's artistry and precision make it an important artifact in the history of cartography. --------------- The map is an original and historical map of Batavia (present-day Jakarta) on the island of Java, dated 1681. There are several details to consider when evaluating its origins and possible authorship: 1. **Style and Detail**: The intricate details and style are reminiscent of maps created by Frederick de Wit, a prominent Dutch cartographer and engraver of the 17th century. He was known for his detailed city maps and sea charts. 2. **Lack of Signature**: The absence of "F. de Wit, Excudit" could indicate either an omission or a different engraver. However, it is essential to note that some maps from that period were reproduced or copied by other engravers and cartographers. This was not uncommon, as map-making was a collaborative effort, and copies of popular maps were frequently made. 3. **Map Characteristics**: - The depiction of ships and the detailed fortifications are typical of Dutch cartography in the late 17th century. - The decorative elements, such as the lion holding a shield, are also characteristic of Dutch map engravers. 4. **Other Possible Engravers**: While Frederick de Wit is a strong candidate, other notable Dutch engravers from that period include Joan Blaeu and Willem Janszoon Blaeu. They also produced highly detailed maps and could potentially be the creators or inspirers of this map. To determine the precise authorship, you might consider: - **Comparing** this map with other confirmed works of Frederick de Wit and his contemporaries to identify stylistic similarities and differences. - **Historical Records**: Consulting historical records or publications related to Dutch cartography in the 17th century might provide more context or even direct references to this particular map. If you have access to additional details or higher-resolution images of specific sections, it might help further pinpoint the map's origin and authorship. ------------- Frederick de Wit (1629–1706) was a prominent Dutch cartographer, engraver, and publisher known for his detailed and decorative maps, atlases, and globes. He played a significant role in the Dutch Golden Age of cartography, contributing to the wealth of geographic knowledge and artistic achievement during this period. Here are key aspects of his life and work: ### Biography - **Early Life**: Frederick de Wit was born in Gouda, Netherlands, in 1629. Little is known about his early years, but he moved to Amsterdam, the epicenter of Dutch cartography, in the mid-17th century. - **Career Beginnings**: De Wit began his career as an engraver and publisher, initially producing maps that were reissues of earlier works by other cartographers, such as Joan Blaeu and Willem Janszoon Blaeu. ### Contributions to Cartography - **Mapmaking**: De Wit was known for his meticulous attention to detail and artistic flair. He produced a wide range of maps, including world maps, regional maps, city plans, and maritime charts...

Map of Le Maine by H. Hondius, 1633, Hand-Colored, Decorative and Historic This rare and beautifully executed antique map titled 'Le Maine' was published in 1633 by Henricus Hondius...