17th Century Collectibles and Curiosities

This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...

A refined and devotional 17th-century sterling silver reliquary featuring a delicate reverse glass painting of the Virgin Mary. This exqui...

Saint Erasmus or Saint Elmo (Antioch, ca. 240 – Formia, 303) was an Italian bishop and patron saint of the sailors. His attribute was the capstan, a winch on which the anchor chains were rolled up. He died as a martyr for his faith, and his bones were transferred to Gaeta in the 9th century, where they are kept in the cathedral to this day. The electric phenomenon of Saint Elmus fire is named after Saint Erasmus and the 16th C humanist Desiderius Erasmus. Little is known with certainty about Saint Erasmus' life. However, many legends may have been passed on orally until the - no older writings are known with certainty. His birthplace was in present-day Syria. However, the persecution of Christians under Emperor Diocletian forced him to flee to Mount Lebanon...

This hand-colored chart of the seas about Flanders, Holland, Frisia, and Norfolk is from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by...

This is an original 17th century hand colored copperplate engraved map of Greece entitled "Graeciae Antiquae Tabula Hanc Geographicam" by Nicolas d'Abbeville Sanson, engraved and pub...

This is an attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...

Hinged top, decorated overall with incised carving, lock plate and side handles.

This is an antique county map of Northamptonshire. An English, framed atlas engraving by Richard Blome, dating to the 17th century and later. Fascinating cartography, oriented 90 d...

This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...

Saint Jerome in the Wilderness Cast bronze relief Europe (presumably Spain), ca. 1600/17th century Dimensions: 11.5 × 7 cm This small rectangular gilt bronze relief, possibly intend...

An original 17th century map entitled "Leodiensis Episcopatus in omnes Subjacentes Provincias distincté divisusVisscher, Leodiensis Episcopatus" by Nicolaes Visscher II, published in Amsterdam in 1688. The map is centered on Liege, Belgium, includes the area between Antwerp, Turnhout, Roermond, Cologne, Trier and Dinant. This attractive map is presented in a cream-colored mat measuring 30" wide x 27.5" high. There is a central fold, as issued. There is minimal spotting in the upper margin and a tiny spot in the right lower margin, which are under the mat. The map is otherwise in excellent condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...

An exceptional, fine and impressive antique Charles I English sterling silver communion chalice and paten set; an addition to our diverse religious s...

This is a framed hand-colored 17th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...

1633 map, entitled "La douche de Berry," Hand Colored Ric.0005 Description: 1633 map, entitled "La douche de Berry," Dimension: Paper: 23.3" W x 20.3" H (59 cm W x 51.7 cm H) ; ...

1657 Janssonius map of Vermandois and Cappelle Ric.a004 Description: Antique map of France titled 'Descriptio Veromanduorum - Gouvernement de la Cappelle'. Two detailed maps o...

1646 Jansson map entitled "Procinvia connactiae," Ric.a006 Description: The PROVINCE of CONNAVGT 490 x 380From vol 4 of Jansson's Atlas Novus 1646, published in Amsterdam with...

1635 Willem Blaeu map of northern France, entitled. "Comitatvs Bellovacvm Vernacule Beavvais," Colored Ric.a008 “COMITATVS BELLOVACVM…” Amsterdam: W...

1790 Thomas Stackhouse map, entitled "Russia in Europe" Ric.a004 Stackhouse, Thomas Russia in Europe [map] London: T. Stackhouse, 1783. Map. Matted hand-colored copper engraving. Image size: 14.5 x 15.25 inches. Mat size: 22.75 x 23.75 inches. A beautiful example of this map of Eastern Europe...

1633 map, entitled "La douche de Berry," Hand Colored Ric.0005 Description: 1633 map, entitled "La douche de Berry," Dimension: Paper: 23.3" W x 20.3" H (59 cm W x 51.7 c...

1627 map entitled "Loudunois," Signed on the Back Ric.a013 cartography close up double-page hand-colored elevated view no person print hand-tinted hilly close-up early 17th-...

A small architectural table cabinet, veneered in walnut and mulberry, the centre doors enclosing an arrangement of nine various sized drawers with bone knobs, behind a central door a...

A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...

A 17th century copperplate hand-colored map entitled "The Sixt Table of England" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descriptio...

Devotional plaque, Saint Benedict of Nursia. Bronze. Spanish School, 17th century. Rectangular bronze devotional plaque with a ring at the top, a molded frame, and a relief figurati...

This hand colored 17th century Dutch map entitled "Novissima et Accuratissima totius Italiae Corsicae et Sardiniae Descriptio" by Theodore Danckerts depicts the Italian Peninsula in ...

This detailed Dutch map entitled "Het Beloofe de Landt Canaan door wandelt van onsen Salichmaecker Iesu Christo, nessens syne Apostelen" by Nicolaes Visscher was published in Amsterd...

Enamel Plaque “Mater Dei” Laudin, Limoges, France, 17th century Painted enamel on copper, gilded details A rectangular enamel plaque depicting the Virgin and Child with radiant halo...

This is a heavy large carved wood plaque depicting an embossed scene of the Resurrection of Jesus Christ. He is standing victorious and elevated over a U shaped cluster of clouds wit...

A handsome collection of 6 Austrian vellum bound books from the late 17th century. This antique set of six books from Austria, which retain their original vellum bindings, have Latin...

Decorate a wall with this intricately antique panel. Crafted of ebony wood in France circa 1680, the plaque depicts the dramatic biblical scene of "The Conversion of Saint Paul on th...

Italian Renaissance painted pine life size figure of religious scholar holding book (17/18th Cent) Replacement finger

Particular little wooden candle holder case covered in fire-branded leather, with bronze hinges. The cassina features floral and gemometric decorations that create boxes within which...

At over five feet tall, this beautiful and large carved oak statue is a life-sized interpretation of a French bishop from the 1600s. The religious leader is wearing a mitre adorned with Vitruvian waves. There is also a vertical swath of waves in the middle of the mitre that separates two spandrel-shaped panels embellished with foliate scrolls and a cabochon. Our bishop is clad in a vestment with large scrollwork and a rectangular clasp across the chest over...

This antique hand-carved and polychrome painted architectural or nautical fragment shows no sign of where is may have originated from, but is quite early dating between approximately...

Large apothecary's ivory mortar Indo-Portuguese 17th century 16,7 x 10,4 cm Cites certificate number 2022/BE01446/CE

Couple of torchero angels. Carved and polychrome wood. Spanish school, 17th century. They have faults. Pair of human-shaped carvings made of polychrome wood that show two angels ra...

Dating from the late 17th century and done in the Federalist style, this finely detailed and well executed hand painted miniature portrait on bone of a period nobleman can be worn as...

An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going and striking trains, as well as a...

Devotional medal, Santiago Apóstol. Ormolu, 17th century. Openwork devotional medal with the image of Santiago Apóstol in the center, on a pedestal and holding a staff and a book, surrounded by a crown of leaves knotted with two loops above and below. Copies similar to the present one are found in the Museum of Pilgrimages in Santiago de Compostela...

St. Florian (250 A.D. – 304 A.D.), was the patron saint of firefighters, brewers, chimney sweeps, and the town of Linz Austria. He served in the Roman army and part of his duties included organizing fire fighting brigades. He was secretly a Christian and became famous for miraculously saving a town from being destroyed by fire; after he prayed and threw a single bucket of water on the blaze, it was extinguished. This beautifully carved oak statue from the 1600s, clearly depicts St. Florian with a bucket in hand and a miniature house...

Carved and gilded frame with painting on vellum, "Virgin of the Rosary with Santo Domingo de Guzmán and Santa Catalina of Siena", 17th century. Registration in the back zone (Mr. Jos...

A beautiful, highly detailed map of southeastern Europe by Nicolas Visscher. Includes regions of Northern Italy (showing the cities Bologna, Padua, and Venice), Bohemia, Austria (sho...

An extremely rare first edition: William Somner, The antiquities of Canterbury. Or a survey of that ancient citie, with the suburbs, and cathedrall. Containing principally matters of...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

This elegant Spanish brooch from the 17th century is crafted in gilt metal, showcasing the exquisite craftsmanship and refined style of the era. Its int...

17th century pair of carved and gilded wooden mensulae with birds.

17th century tripod apothecary skillet dated 1698 by Ward Rymens. The skillet is in superb condition and has had a restoration on one of the feet. bronze with a very beautiful patina.

17th century Spanish Talavera pharmacy jar in blue Glazed ceramic.

Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and its form of expression arose from the people and from the deepest ...

One of its fronts presents a textile background under a transparent glass, space that was surely designed to contain relics. The other side has a brightly colored enamel with the Vir...

Original oil on panel of Saint offering the Child, by an unidentified artist. --This painting represents St. Anthony of Padua. The scene is one that is often chosen to represent ...

From John Ogilby's, 'Britannia, an Illustration of the Kingdom of England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...

Altarpiece. Wood carved and gilded. Baroque, towards the second half of the 17th century. The Solomonic column was an element already known in the Renaissance (and before) that was popularized in art, in large part, thanks to the Baldachin of St. Peter's Basilica of the Vatican by Gian Lorenzo Bernini (1624-1633), where he presented branches. In Spain, this type can already be seen in the Silver Tabernacle of the Cathedral of Seville (Juan de Alfaro, 15931596), used in altarpieces from the 1620s; nevertheless, the apogee of the Solomonic column will come from the hand of José Benito de Churriguera, whose altarpieces have an extraordinary importance since the second half of the 17th century and already at the beginning of the 18th century (note similarities and differences between the present altarpiece and that of the Convent of San Esteban...

Elegant carved and gilded wood from the 17th century - Spain Very beautiful patina and in very good condition Can serve and served in the past as a base for a wooden sculpture.

Rectangular enamel plaque depicting St. Peter receiving the key of Christ, with The dome of Saint Peter’s Basilica in Rome in the background. Germany, 17th century. Dimensions: 13 ...

A very rare and beautiful Italian 17th century case, box, to store a chalice. Beautifully crafted with embossed leather. A fantastic accent piece, whether displayed as a single piece...

Rare, early 17th century, Spanish, leather, ‘Arcon’ or domed travelling coffer with a gilded armorial & ornamented with brass studwork. Surviving utalitarian pieces such as travel...

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 15x6 cm. Good condition.

Emaille de Limoges Plaquette, frame bronze with emaille. Depicting Maria Magdalena, 17th century or earlier.

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...