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18th Century French Silk and Gold Thread Embroidered Vestment

$4,000List Price

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European Silk and Metallic Thread Brocaded Textile, 18th C.
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19th Century Ottoman Hand Embroidered Silk and Gilt Threads Tapestry Textile
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19th Century Ottoman silk and gold thread embroidery textile. The square textile of red cotton is decorated in elaborate silk and gold thread embroidery of arabesques, florals and scrolls enclosed by a wide gold metallic ribbon framing the whole. Created in the 19th century, even after 200 years of use the panel still has beautiful and brilliant colors and the gold threads shine under the right light. Beautiful tapestry textile to decorate the wall or displayed on a table or a bed. A Sotheby's Auction tag from October 1st of 1993 remains at one corner. Dimensions: 84” x 84” Date of Manufacture: 19th Century Place of Origin: Ottoman, Turkey Material: Silk and gold thread embroidery on cotton Condition: Wear consistent with age and use Ottoman Textiles, 19th Century Ottoman Textiles, Gold Thread Textiles, 19th Century Silk Embroidery Textiles, French Aubusson Tapestry, European Embroidery, 18th Century Antique Ottoman Textiles...
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Antique Chasuble Religious Vestment Embroidered Textile, 3 Pieces
Located in Antwerp, BE
Three beautiful early 19th century religious Christian choir cap or chasubles for priest, woven with golden metallic wires, and beautiful floral design.These chasubles were used in the church as choir uniforms for special Catholic occasions. Roman style Cope made of a high quality fabric. The cope is finished with a golden fabric tape and fringe. The clasp closing in the front regulates the size on the neck. The choir cap, choir mantle or vesper mantle (in Latin pluviale, cappa or mantum) is a wide liturgical vestment that hangs down to the feet and is worn by clergy. The choir cap has a choir cap closure or agraaf, varying from a simple hook to richly decorated goldsmithing, and a carved hood (in the Netherlands: shield) on the back. This robe is worn by priests, deacons and subdeacons of the Roman Catholic Church and the Anglican Church at certain ceremonies such as the Hours, the Asparagus me, during the Praise and Sacrament processions. In the Lutheran churches of Scandinavia, the choir cap is also still worn, even by the pastor during the Eucharist/Lord's Supper. The choir cap has more or less the shape of a semicircle. Well-known examples of choir caps can be found in the Netherlands in the collection of Museum Catharijneconvent in Utrecht. Use in liturgy The choir cap differs from the chasuble in that it has the shape of a mantle with a closure at the front. In the new form of the Roman Rite (Novus Ordo Missae), the choir cap is no longer worn during Mass: the appropriate vestments are then the chasuble (priest) and the dalmatic (deacon). The tunicella (subdeacon) is also worn only in the traditional form of the Roman Rite. In this Tridentine rite there is the use of the assistant priest who does wear a choir cap during the (solemn) mass (with assistance). The choir cap is also worn in that rite when the faithful are sprinkled with holy water during the Asparagus me or the Vidi aquam before the mass of the students of the faith. When the holiest of all is placed in the monstrance, the choir cap and stole are white. For the hours (divine office...
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