Bronze Antique Tibetan Temple Bell Substantial

Inspired by a scene from Ramakian or Ramayan, the Indian epic Rama and Sita. Antique Indian Temple Toy bronze camel on wheels. Antique hindu bronze temple camel with rider statue toy on wheels. Commonly known as "Temple Toys...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

We are delighted to offer for sale this exquisite circa 1920 Chinese Export floor standing bell on wrought iron stand A very well made and decorative...

This early 20th century Tibetan snuff bottle is delightfully ornate, crafted with silver metalwork and encrusted with colorful beads. The small bo...

This early 20th century Tibetan snuff bottle is delightfully ornate, crafted with silver metalwork and encrusted with colorful beads. The small bo...

This unusual bronze charm is the handle of a 19th-century ritual bell known as drilbu or ghanta, a ceremonial instrument that accompanies the dorje scepter in Tibetan Buddhist ritual...

A Chinese antique handbell made of copper alloy. I think it is from the late Qing dynasty to the end of the Qing dynasty. Although it is a casting, ...

From the Ramakien a Thai Ramayana. A scene from Ramakian or Ramayan, the Indian epic Lakshman riding in a chariot along with Rama and Sita sitting in the back. After his victory over Ravana, Sri Rama prepares to leave for Ayodhya, Rama now told Vibheeshan that there was just one more day...

19th century Burmese bronze temple bell with original carved hardwood stand, painted iron hanging bracket, and striker. This rare large scale cast bronze bell has a splendid sculptural and spiritual presence. The bell has a long inscription on the upper part. The offering of a bronze bell to a monastery or temple was considered second only to the offering of a Buddha image as an act of merit (kutho). Such bells were cast using the lost wax (cire perdue) method. Casting of such bells was auspicious with specific rituals being performed by the caster and sponsors to ensure the appropriate blessings. The bell here, as with all such Burmese bells...