Contemporary Silver and Glass Passover Set by Menachem Berman

Antique 19th century Austrian rare and unusual solid silver-gilt and enamel reliquary, pierced and decorated with multicolored enamels, sides set with carved rock crystal panels and ...

A large precious stone and silver-gilt flower model by Asprey. English, 20th century. Measures: 47cm high x 14cm wide x 12 cm depth. Crafted ...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect esteem by the workpeople in the employ of Messrs Richard Johnson Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

This silver presentation vase is a small replica of the classical Roman ‘Warwick Vase’. The body is cast and chased with fruiting vines below the rim. The central field has a continuous band with bearded Bacchic heads floating above a lion’s mask and pelt. The applied handles comprise gnarled twisted vine stems. The spreading stem is set on a square foot which in turn sits on an ebonised wooden plinth base. The plinth is applied with two vacant laurel wreath cartouches and two rectangular plaques, one finely engraved with the Royal Coat of Arms and the other inscribed “Plymouth, Devonport and Cornwall Races 1845, the gift of her Most Gracious Majesty Queen Victoria, Augustus Coryton Esqr, W. R. Fortescue Esqr, Stewards” and “Her Majesty’s Vase, value 100gs., for three-year-old and upwards – Heats, about two miles, starting at the T.Y.C. Starting-post, once round, to the Grand Stand Winning-post.” Fully marked and stamped on the side of the foot ‘Hunt & Roskell Late Storr & Mortimer 2225’. English, assayed for London 1845. Provenance: Her Majesty Queen Victoria. Sir John Barker-Mill, Baronet of Mottisfont.Thence by descent. John Barker (1803-1860) was created 1st Baronet ‘of Mottisfont in the County of Southampton’ on 16 March 1836. A noted racehorse owner, Barker won numerous prestigious trophies with Giantess, Cymba, Miss Ellis and Pugilist. His most prestigious horse, Leviathan, sire of Giantess, won 16 of 21 starts and was sold to George IV for 2,000 guineas. Plymouth, Devonport and Cornwall Races were held from 1828 until 1930. The racecourse was a flat, oval course of 12 furlongs with a straight run-in of 2 ½ furlongs. ‘Royal Plates...

Stunning 20th century brass Galleon ship, this large geometric ship was created by Curtis Freiler & Jerry Fels. The name of the artist and furniture designer Curtis Jeré was, in fact, the shared pseudonym of two individual American artists, Curtis Freiler and Jerry Fels using the signature C.Jeré. A similar model can be seen in Martin Scorcese's The Wolf of Wall Street...

Large antique Austrian silver and glass garniture by Schwarz & Steiner Austrian, Late 19th Century Centrepiece: Height 29cm, width 70cm, depth 29cm Candelabra: Height 39cm, width 2...

Exquisite Art Nouveau centerpiece crafted by WMF (Württembergische Metallwarenfabrik), one of Germany’s most renowned manufacturers of decorative metalwork in the early 20th century....

An exceptional, fine and impressive, pair of antique Victorian English sterling silver and glass tazzas/centrepieces; an addition to our antique Victorian silverware collection. These exceptional antique Victorian glass tazzas / centrepieces, with sterling silver mounts, have a circular rounded form onto an ornamental pedestal and domed spreading foot. The surface of each decorative centrepiece features an impressive glass dish embellished with fine cut and acid etched foliate decoration. The centre of each vessel features a hallmarked sterling silver panel, ornamented with engraved decoration reflecting the design to the glass. Each antique glass dish...

Versatile and elegant best describe this Mid-Century compote with weighted sterling silver base. We see being used as a centerpiece on a table as well as a jewelry holder on a vanity...

Mid-Century Silver Plate and Smoked Glass Tray by R. Debladis, Paris, France, circa 1970 An exceptional example of French Mid-Century design, this refined catchall or vide poche was...