Two fragments from a 17th century Royal Door from an iconostasis, Annunciation

Meditative Central Russian icon depicting the Mother of God of the Sign, also titled the Znamenje of Novogrod. Typical for this centuries old iconography is that the Mother of God is...

An enamel arched Limoges plaque with Christ Salvator Mundi in enamel champlevé. Used to be placed at the rear end of a processional cross. Spain, Navarra, early 14th century. Dime...

Russian icon from an old-believersworkshop depicting the Mother of God Kasperovskaja, a variation of the Mother of God of Korsun. 19th century. Dimension: 31 x 26.5 cm. In good c...

Icon on wooden panel depicting the Entry in Jerusalem on Palm Sunday, 19th c. This square icon comes from the festival Row of a Church iconostasis. The icon is painted in a very tra...

This 19th-century Russian icon features St. Zossima and St. Savvati of the Solovetsky Monastery. The saints are depicted in a traditional Byzantine style, characterized by their elon...

A set of three hand painted wooden plaques, each featuring a religious portrait within a decorative frame. The center panel is a portrait of a man with shoulder length hair and a be...

Russia / 19th century / Icon of The Presentation of Our Lord / wood / Religious This exquisite 19th-century Russian icon depicts The Presentation of Our Lord, a central feast in the...

An impressive and large scale painting on board of the Mother Mary holding the infant Jesus, each displayed wearing a crown with a golden sacred heart, probably Hungarian, the inscription underneath reads ‘Zdravas Kralovno’ in Slovak, which translates to the Latin Salve Regina or Hail, Queen, these are a reference to the Latin Hymn of the same name, which is traditionally thought to have originated in 11th century Germany, and specifically to the monk Hermann of Reichenau. Unlike the Icons of Catholicism, these Eastern Orthodox Icons...