French Wine Barrel Scale

A small scale, rustic French stone fireplace. The shaped jambs surmounted by elegantly scrolled frieze and shelf. 19th century. Measures: Shel...

A french wine press screw, 19th century. 10 inches wide by 11 inches deep by 51 inches tall

A very impressive grand scale pair of Napoleon III 19th century Lions' Heads beautifully cast in iron. A wonderful statement for any entryway.

EXQUISTE Antique French PAIR of Oak WINE Buffet Doors~~Early 19th Century Fabulous pair of painted wine doors can be hung on the wall of any bar or game roo...

A stunning, early 17th century trunk facade of grand scale. Dated 1621. Soundly constructed from richly stained oak with beautiful carvings of grapes on t...

Large scale clock tower hands, French, 19th century. According to the seller, these clock hands came from a large clock tower in Paris. They measure an impressive 107 inch height by ...

Beautiful antique scale originally from Germany. The front glides up for access and the glass and hardware are original. Circa 1940. Andrianna Shamaris. The Leader In Modern Organic...

Found in a chateau in Loriol du Comtat, in the Provence region of France, this large-scale plaster sculpture is signed and dated by the artist, making it a rare find. Originally part of a boiserie containing a fireplace, the sculpture decorated the main hall of the chateau. The artist, Marius Sain, created the piece for the owners of the chateau in 1914. The lovely depiction of a shepherdess and her flock is a fitting subject for an area of France in which shepherding is such an important part of the culture. The preserved heritage of transhumance in Provence goes back at least 800 years, as evidenced by collections of ancient songs, stories, and art. Life-size in scale, the lovely sculpture features a mix of high-, mid-, and low-relief embellishments. A hooded shepherdess tends to her flock of sheep with a crook in hand. A dog sits calmly at her feet as the flock gathers in front of them. Both the shepherdess and the dog are in high relief, as is the lead sheep. The lamb seen suckling from the front sheep was crafted in mid relief, as is the visible head on the far right of the sculpture. There are a few sheep behind them in low relief. Large trees can be seen on either side of the group, while off in the background (faintly visible) are a castle with four fastigiate Mediterranean cypress trees (known as Stricta) and a spired church. The attention to detail is magnificent, with textured surfaces including the animals’ fur and the uneven ground. Block print on the plaster can be seen at the base. The letters read Le Soir, which is French for “The Night”. The right side of the sculpture has been signed “M Sain 1914”. Marius Joseph Sain was born in 1877 in Avignon, France. In 1902, Sain moved to Paris to study at the Ecole des Beaux-Arts. Through introductions by his older brother and painter, Paul...

A large Georgian brass tap, circa 1800. Not in full working condition. Projection: 8 3/4 inches - 22 cm. Weight: 7 1/4 lbs - 3.3 kg.  

A nicely scaled bath stone fireplace. The moulded jambs surmounted by simple carved brackets, the moulded frieze with plain centre block. Simple s...