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Material: Wrought Iron
Pair of Art Deco Bookends Signed P Kiss
By Paul Kiss
Located in NANTES, FR
Pair of bookends circa 1930.
Wrought iron squirrels stamped P. Kiss for Paul Kiss.
In perfect condition.
Total height: 17.5 cm
Width: 14.2 cm
Depth: 7.5 cm
Total weight: 5.8 kg
A French master ironworker, Paul Kiss was born in 1885 in Belafalva, Romania, and trained in Central and Western Europe before settling in Paris.
He gained recognition and awards in the mid-1920s, when he gained recognition for his Art Nouveau and Art Deco-inspired creations with the arrival of Cubism and its clean lines. This is evidenced by an article by critic George Denoinville on the 1925 International Exhibition of Decorative Arts, and more specifically on Paul Kiss, whose contribution to interior and exterior furniture he celebrated through decorative objects such as console tables, doors, and radiator covers. According to him, Paul Kiss… "Master Ironworker works tirelessly towards this goal… What stood out above all was this interior partition door, so simple, rich in patterns and frames, that it appeared to us like a veritable metallic lacework. …Paul Kiss is, without a doubt, one of our most original artistic ironworkers…" Excerpts from "Mobilier et Décoration, December 1925," pp. 21-27.
After the First World War, Kiss opened his own studio and showroom on rue Léon-Delhomme. Kiss designed and produced numerous pieces of iron furniture throughout the 1920s and 1930s. He was commissioned to restore historic monuments and create new public monuments. His clients included the kings of Siam and Egypt.
Kiss created the metalwork for the Monuments aux Morts war memorial in Levallois-Perret, France, for which he received the silver medal at the Salon des Artistes Français in 1924. In 1925, he exhibited at the Salon des Artistes Décorateurs and the Exposition Internationale des Arts Décoratifs et Industriels Modernes.
In the 1920s, Kiss mentored the young designer Paul Fehér...
Category
Mid-20th Century French Art Deco Wrought Iron Bookends
Materials
Wrought Iron
$5,738 / set
Early 1900 Sante Mingazzi Naif Italian Art Deco Wrought Iron Birds Bookends
Located in Brescia, IT
2 Art Deco Bookends
Sante Mingazzi
Italy, Early 1900
Birds Iron Bookends
"Mingazzi Bologna" engraved
Category
Early 20th Century Italian Art Deco Wrought Iron Bookends
Materials
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Zadounaisky Pair of Art Deco Wrought Iron Bookends
Located in NANTES, FR
Pair of wrought iron bookends representing antelopes.
Stamped Zadounaisky.
In very good condition.
Height: 19cm
Length: 19cm
Thickness: 4cm
Total weight: 1.3 Kg
Michel Zadounaïsky,...
Category
Mid-20th Century French Art Deco Wrought Iron Bookends
Materials
Wrought Iron
Wrought Iron Walking Man and Shadow Bookends
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Category
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Materials
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$396 Sale Price / set
20% Off
Goberg , Hugo Berger Wrought Iron Bookends, Germany, circa 1910
By Goberg
Located in Delft, NL
Goberg , Hugo Berger wrought iron bookends, Germany, circa 1910.
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Early 20th Century German Wrought Iron Bookends
Materials
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Heavy and sculpturally interesting pieces indeed are our pair of spiral wrought iron Brutalist bookends - if you are a fan of midcentury pieces,...
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20th Century Mid-Century Modern Wrought Iron Bookends
Materials
Wrought Iron
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Son of Russian emigrants, Michel Zadounaisky moved to France in 1916.
In 1920, he discovered wrought iron work by joining the Fournet chandelier factory. He also devotes himself to embossing in the round, that is to say the confrontation with metal with the sole tool of a hammer, and with the help of fire, techniques in which he is a past master. In 1924, he opened his first studio in Lyon and worked there until 1953, when he became one of the emblematic figures of Lyon's decorative arts.
From the 1930s, his theme was personalized, and appeared a whole bestiary of animals sometimes bordering on the fantastic and the strange.
Naturalized in 1948, Michel Zadounaisky continues to create, in close and intimate collaboration with Buer (binder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Eager to abolish the boundary between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only Art Deco iron sculptor...
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