Modernist Brass Horse Bookends

Pair of heavy green and blue Murano glass book ends by maestro Luciano Gaspari, circa 1950. Born in Venice in 1913. He studied at the Fine Arts Academy of Venice and Bologna, he was a pupil of Virgilio Guidi and Giorgio Morandi. He participated in a number of Biennales. Luciano Gaspari is a painter who enters into symbiosis with glass production, studies the collections, scientifically verifies the techniques, establishes a deep relationship with great masters such as Alfredo Barbini , Luciano Vistosi , Paolo Martinuzzi, especially Livio Seguso and, later, Pino Signoretto. Become the artistic director of Salviati in 1955, he plays the role with untiring commitment and rigor. Characteristic of his approach is a total mastery and an innovative use of traditional techniques, the ability to look to the past to invent the future, but also to use novelties with courage and imagination, or to "force" common use by transforming, for example, simple bottles in sculptures. He engages in serial productions, in "unique pieces", in sculptures, but also in objects such as plates (including absolutely extraordinary those presented at the '66 Biennale), vases, cups, bottles: in every creation the quality of colors, the balance between brightness, transparency, glows and shadows reveals the intense relationship between the painter's sensitivity and fantasy and a perfect understanding of the potential of glass. 1913. Born in Venice on March 22 in a family of decorators. 1931. After attending the Institute of Art, he made his debut at the collective exhibition of the Opera Bevilacqua La Masa. 1932. He receives the prize for the younger painter at the XVII Venice Biennale. 1933. Student of Virgilio Guidi at the Academy of Fine Arts. 1935. He follows Guidi in Bologna. Here he attends the course of engraving techniques held by Giorgio Morandi, with whom he will remain in correspondence for a long time. 1936. Participates in the Rome Quadriennale and the Venice Biennale. 1937. After completing his studies in Bologna, he returns to Venice. 1938. Participates in the Venice Biennale. 1940. Participates in the Venice Biennale; becomes assistant to Giuseppe...

11 foot by 9 foot frame stretched charcoal on canvas painting by Jessica Scott-Felder titled "Accent" 2009. Jessica utilizes drawings and installations with antique objects to transform spaces into psychological realms that are suggestive of maternal figures and ancestral and social narratives. Initially, the chairs represented matriarchal presence and have currently expanded to ancestry. Jessica’s work addresses issues in identity, heritage, culture, and society’s rapidly disintegrating connection to the past. Jessica's grandmother's living room has been a focal point of her work. She is visually exploring the suggestive qualities of furniture placement. Many of the images were derived from “Last Year at Marienbad...

Rose Lautman, worked exclusively in fabric collage with a meticulous hand and a fine needle. Rose's artwork was exhibited in galleries primarily in Sara...

Very well crafted pair of modernist bouillotte lamps in brushed nickel and solid brass, each with four light candelabra, with brass arms extending from a central orb atop a round fla...