Silver Umbrella Stands
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Material: Silver
Collection of 3 Victorian Silver
Gold-Filled Parasol Handles
Located in Ottawa, Ontario
A COLLECTION OF 3 VICTORIAN
SILVER & GOLD-FILLED PARASOL HANDLES
Late 19th to early 20th Century.
In various styles, two gold-filled with hand chased and engraved decoration
and on...
Category
Late 19th Century English Victorian Antique Silver Umbrella Stands
Materials
Silver
Large Hand Carved and Hammered Silver Shell Umbrella Stand or Vase, Italy, 1980s
Located in Los Angeles, CA
Large hand carved and hammered silver shell umbrella stand or vase, Italy, 1980s
This silver "vase" is actually an umbrella stand.
Of course it can also be used as a vase. Decorati...
Category
1980s Italian Modern Vintage Silver Umbrella Stands
Materials
Sterling Silver
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ANTIQUE EDWARDIAN HAND CARVED ENGLISH OAK WALKING STiCK OR UMBRELLA STAND
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Midcentury Hexagonal Ice Lucite Italian Umbrella Stands after Willy Rizzo, 1980s
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Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer.
Rizzo was born in Naples in 1928 but moved to France at an early age. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci.
In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and traveled to Tunisia for Point de Vue to photograph the conflict in North Africa, which was later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, which allowing him to capture these public figures in unusually candid moments.
Hoping to advance his career even further, Rizzo traveled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in color, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects.
In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue.
Over the course of his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before she tragically committed suicide a few weeks later.
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