"The Four Continents” 19th Century Toile De Jouy Cushion

This hand-crafted pillow was designed by a local Chicago artist and textile historian who lovingly repurposes the vintage fabrics, garments and embroidery fragments she collects duri...

Nice pair of multicolor antique needlework cushions with tassle fringe and wool backing 19th century Measures: 18" x 13".

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

19th century coverlet pillows with blue cotton linen backing. The pictorial bird coverlet pillows are in good condition. They vary in sizes.

Immerse yourself in the rich cultural heritage of the Iroquois with this stunning 19th-century beadwork cushion, a remarkable example of Native American artistry. This exquisite piece showcases the intricate skill and dedication of Iroquois artisans, who meticulously hand-stitched countless tiny glass beads onto a silk foundation. The cushion features a beautifully detailed depiction of a dove perched on a flowering branch, symbolizing peace and harmony. Each bead is expertly placed, creating a vibrant and lifelike representation that captures the essence of Iroquois beadwork. The delicate silk background, while showing signs of age with areas of porosity and brittleness, adds to the cushion’s historical authenticity and charm. Despite some beads loosening around the edges, this cushion remains a captivating piece of art, reflecting the labor-intensive process and artistic talent of its creators. The minor imperfections only enhance its story, serving as a testament to its journey through time. Ideal for collectors of Native American artifacts...

A Timeless Piece of Central Asian Art: Bring a piece of history and unparalleled artistry into your home with this exquisite, one-of-a-kind lumbar pillow. Meticulously handcrafted ...

These fine blue pieced homespun linen pillows have robin egg blue linen backings and in great condition. The blue is slightly off or different then one another from age and use. Sold...

This group of four 19th century French black and white striped ticking pillows are in great as found condition. The faded black looks a little like grey in some lighting. The backing...

These 19th century candy stripe ticking pillows have a cream cotton linen backing. They are down and feather fill. Two pairs of pillows.

79199 Late 19th Century Antique French Aubusson Tapestry Cushion, 01'09 x 01'06 x 00'06. Woven with whispers of bygone grandeur, this handwoven wool French Aubusson tapestry cushion from the Late 19th Century captures the lyrical heart of a pastoral fable, rendered in threads of gentle nostalgia and refined artistry. At its center, a fox gazes longingly upward toward a pair of birds perched delicately on a tree branch, evoking the timeless tale of La Fontaine’s The Fox and the Crow—a moral parable spun into the language of tapestry. The scene is framed by a lush wreath of scrolling acanthus leaves and voluptuous blossoms—roses, peonies, and wildflowers—blooming in softened tones of pink, ochre, and antique gold. Each carefully handwoven detail reveals the elegant precision of the Aubusson weaver’s loom, where every knot and weft captures a painterly sensitivity to light, form, and emotion. The background shimmers with subtle gradations of mossy green and parchment beige, conjuring the feel of a sun-dappled glade, while the figures themselves seem to pause in narrative stillness—caught in a moment of wit, desire, and the age-old dance of cunning and vanity. The Aubusson pillow becomes a miniature stage for moral reflection, set within the poetic landscape of 19th-century French salon decor. Beneath the pastoral charm lies the hallmark of the Aubusson tradition: a low-warp tapestry technique prized for its fine execution and seamless color transitions. This cushion, originally born of a larger wall tapestry fragment, has been lovingly preserved and reimagined with a sumptuous velvet backing—ensuring the legacy of the weaver’s hand continues to offer comfort and delight. The delicately frayed edges and mellowed palette speak not of wear, but of history—an aged beauty that softens with time, like a well-loved verse recited over generations. More than a decorative object, this antique Aubusson pillow...