English Furniture

Introducing the exquisite Nickel & Glass Chandelier, crafted in England by the renowned designer Charles Edwards. This stunning light fixture boasts a sophisticated and elegant d...

A rare and important George III five pedestal dining table c1780, with four leaves. The rounded rectangular top of superb timber with reeded...

An exceptional vintage single haberdashery or haberdasher's cabinet of patinated oak, with paneled sides from Harrod's department store, in London, England featuring: (7) glass-fron...

An outstanding and extremly rare pair of hand blown 19th Century pharmacy carboys with cut crystal stoppers.

Jacobean Oak Salmon red/silver Sideboard Dresser Base made in solid English Oak by the best high end cabinet makers A fresh to market finish using a non pai...

This beautiful set is ready to go! This is a late 19th century English scrubbed pine set if twelve dining chairs. The neutral upholstery is new. The side chairs measure as follows: 2...

Beautiful 1930s Art Deco dressing table . Originating from England and oozing everything about this wonderful bygone era we've all come to love and admire, this dressing table is one...

Mid-19th century Victorian Eastlake walnut carved Lincoln style bed. Features a high back with burled panels, carved finials, and open pediment with ...

English circa 1875 Aesthetic Movement writing table or desk by London cabinetmakers Howard & Sons having original green leather top; the oval form case with single drawer and origina...

20th Century English secretaire is a classic example of fine craftsmanship. It features a distinctive oyster veneer pattern and includes a secret compartment within the desk. Desk is...

Alfred Dunhill Lighter Circa 1957 From our Accessories collection, we are delighted to offer this Dunhill ‘Carlton’ Spider Web Table Lighter. The Lighter Gold Plated lighter was produced in partnership with Carlton Ware with the ceramic body produced by Stoke on Trent potters Carlton (Carlton Ware). The body has been hand painted with a spider web design amongst blossoming flowers and two dragonflies. The Lighter is embossed to the front Dunhill and bears the registration number to the inside of the pivoting arm 737418. The base of the lighter is stamped Dunhill, Lighter. The Lighter dates to the middle of the 20th century circa 1957. Carlton Ware was established in 1890 by James Frederick Wiltshaw, William Herbert Robinson and James Alcock Robinson trading under the name of Wiltshaw and Robinson. The trademark “Carlton Ware” was introduced in 1894, and the company’s factory was renamed the Carlton Works. The company changed its name multiple times and changed hands finally reaching the name ‘Carlton Ware Ltd’ in 1958. In 1966 the company was sold to Arthur Wood and Sons before coming under financial pressure in the late 1980s being forced into receivership in 1989 and production ending in 1992. In 1997 the Carlton Ware brand was resurrected by Francis Joseph of the Carlton Ware Design Centre, Roslyn Works, Stoke-on-Trent. It continues to manufacture novelty items aimed at the collectors’ market today. Dunhill Lighters specifically the classic petrol lift arm table lighter was introduced by Dunhill in 1928 running until the introduction of gas in the 1960’s. This particular Carlton Wear example was first introduced in the Dunhill catalogue in 1957. The body was created in partnership with Stoke-on-Trent potters Carlton Ware. Carlton Ware produced three different examples to compliment the Dunhill body a fish underwater design, a chinoiserie pagoda design and the spider web as seen here. Dunhill Alfred Dunhill was Born September 30th 1872. From 1890 Dunhill ran a company that sold motoring accessories through mail order under the name Dunhill’s Motorities. In 1902 he opened a shop on Conduit Street, Mayfair which sold clothing...

A large pair of signed, limited edition Pop Art screen prints by Paul Tracy. 1982. Printed on archival Arches 88 with blind stamp. Limited edition and signed. These are beautifu...

A powder blue cabinet plate hand-painted by Mabel Tatton for Wedgwood in the 1910s with an elaborate gilded design. Hand-painted by Mabel Tatton for Wedgwood circa 1912, this cabine...

This is an antique pole screen, early Victorian fire screen, circa 1840. Raised on a robust rosewood Stand with good colour and grain interest...

1 Vol. Nathaniel Hawthorne, A Wonder Book. First Trade Edition. Illustrated by Arthur Rackham. 23 plates included throughout. Illustrated portrait frontispiece. Marbled endpapers. Al...

19th century carved walnut center table with inlay circa 1870. We are pleased to offer this stunning center table of generous proportions. Circular top with scalloped moulded edge....

A fine George III slant top desk or bureau secretary chest of patinated mahogany, c.1770 - an inlaid slant front drops to reveal a series of small drawers and document compartments, ...

A fine English Chippendale-period carved giltwood mirror. Mid-18th century, circa 1760. The design dates from the height of the eighteenth-century rococo fashion in England. The fra...

This early 19th-century Wedgwood black basalt vase is a rare find...beautifully proportioned and irresistibly versatile. Its rich, matte finish complements...

Spode New Stone China Dinner Service- Eighty Four Pieces, Pattern #3504, Circa 1820 The service is decorated in an Imari pattern in iron red light and...

A fine English double pedestal desk of mahogany from the 19th century, in the Georgian style, featuring a gilt embossed leather-inset top in a lovely tan hue with mahogany surround, ...

Quality antique Victorian mahogany set of four dining chairs having a quality shaped top and a shaped splat to the centre with serpentine shaped seats covered in a quality fabric. Th...

19th century pine chest of drawers from England. The top is made from a single plank, which has a banded edge, and follows down to paneled sides. the front of the case has two smal...

A charming small-scale English wicker basket from the early 20th century, featuring finely handwoven willow construction and original black painted lettering across the front and lid...

This is a superb antique early Victorian flame mahogany architectural twin pedestal sideboard, circa 1850 in date. The rectangular top having a thumb moulded edge above four drawer...

The Little Musicians series, created by Graciela Rodo Boulanger in 1973, features groups of young people playing various musical instruments. "Quintet" depicts five musicians with wi...

A rare "glitterbox" vertical chandelier designed by Georg Baldele for Swarovski's Crystal Palace collection in celadon green. The chandelier in composed of a polished nickel frame and hundreds of rectangular cut Swarovski light...

An exceptional pair of Art Nouveau purple and blue streak glazed art pottery candlesticks dating between 1909 and 1922. The stoneware candlesticks are heavily potted standing on wide rounded bases with tall graduating column stems with bud shaped tops with flat rounded rims. The candlesticks are decorated in streaked blue and purple glazes over a lighter red glazed ground and both have clear glazed foot rims with recessed bases. The candlesticks are both impressed ASHBY GUILD...

This exceptional 4-piece sterling silver tea and coffee service by the renowned Ewart & Perkins, Sheffield Company, London, showcases the fine artistry and craftsmanship of mid 20th-...

Introduce a touch of 19th-century elegance to your table or bar with this exquisite English Silver Plate and Cut Glass Claret Jug from the mid-19th century. The pitcher, designed in ...

Beautiful example of late 1800s Victorian Eastlake chair. Rendered in hand turned and hand carved walnut upholstered in a Op Art cut velvet. E...

Antique Victorian burr walnut inlaid freestanding davenport having a shaped inlaid top opening to reveal a fitted interior, original leather writing slope crossbanded in burr walnut ...

Antique early 18th century carved oak coffer/chest having finely carved detail to the panels and frieze, panelled sides, standing on stile feet. A fantastic example in original con...

A remarkable Victorian-era English terracotta chimney pot. This antique architectural element serves as both decorative and functional additions to traditional chimney flues. During the 1800s, coal was used more and more to heat homes, however the smoke that it produced was thick and toxic. Heightening one’s chimney increases its draw, removing this unwanted pollutant from interiors more quickly. Multiple indoor fireplaces...

George III Mahogany Lattice back armchair. Seat with new top fabric. The rectangular lattice back above an upholstered tight seat with mahogany arms on sq...

A late Georgian settee having upholstery to front and back with mahogany frame featuring reeded top edge, balustrade turned column arm supports and four tapered ring turned legs to f...

Antique Silver-Plated Candle Wick Trimmer Scissors, Victorian Table Decor An exquisite antique silver-plated candle wick trimmer, showcasing elegant Victorian craftsmanship and timel...

A remarkable pair of British mid-20th-century side or drinks tables, meticulously crafted from nutwood with octagonal-shaped tabletops. The design has a balanced geometry that is bot...

Townshends. Birmingham Brassfounders. An Arts and Crafts revolving tripod magazine rack made of brass and oak with stamped makers mark.

A 19th century Georgian style statuary marble fireplace surround of good proportions and color, a profiled top shelf rests above a central tablet displaying a large urn, flanked by f...

The ZigZag dining table is a bold and elegant statement piece made with bright yellow powder coated, solid steel zigzag legs with a contrasting yellow lacquered table top. The table ...

Late 18th century George III period oak joint stool from England. The top is made from a single board and has a beveled edge. This follows down to carved decorated aprons on the fr...

A large Victorian armchair or club chair newly re-upholstered in a crushed burnt umber coloured velvet. The roll back and arms with piped edges, new brass casters with studded legs. ...

This set of 26 English composite croquet balls dates back to the Victorian era (19th century), reflecting the refined recreational culture of the time. Crafted in England, each ball ...

The case of the grandfather clock is made of mahogany and was possibly made by the watchmaker Nathaniel Edgecombe. The clock is from Bristol England, circa 1830. + The ship in the d...

Late 19th century English Queen Anne style slant front desk with three drawers & inner compartments.

A handsome English sideboard server (or serving console) from the Georgian era - featuring a serpentine moulded top with raised gallery back - enclosing two compartments with tambour...

Wrought iron martini tables, hand made in England inspired by an original 1940s French design. Finished with a natural bronze patina as sta...

18th Century English Staddle Stone ‘Mushroom’ Garden Ornament Add a piece of history to your garden with this gorgeous 18th-century English Staddle Stone, often referred to as a ‘Mu...

On offer here is an elegant English mahogany writing box dating back to the late 19th century, around 1880. The box, with gently rounded upper corners, was crafted from solid pine wood and then veneered with rich mahogany. At the center of the lid, there is an inlaid oval piece of mother-of-pearl, complemented by a matching mother-of-pearl escutcheon surrounding the keyhole. The box retains its original hinges, locks, and key, all in excellent working condition. When opened, this sophisticated writing box reveals a sloped leather writing surface, crafted from green-dyed sheepskin leather and adorned with a decorative gold-leaf border. The writing surface folds open on both sides, offering hidden storage space beneath for letters and documents. This writing box has been gently cleaned in our workshop, ensuring it is pristine, complete, and fully functional—a timeless piece of craftsmanship ready to be admired and used. An English mahogany writing box, also known as a writing slope or lap desk, has a rich history dating back to the 18th century. These portable writing desks were essential for both personal and professional use, especially during a time when travel and correspondence were becoming increasingly important. Initially, writing boxes were made from oak and often featured intricate carvings. However, by the late 18th century, mahogany became the preferred material due to its durability and attractive appearance[1]. These boxes were designed to be both functional and stylish, often featuring brass fittings, secret...

Very elegant "Queen Anne" table lighter from Ronson in silver metal from the mid-20th century. This lighter works on gas. This pretty lighter has an elongated, oval shape decorated with pearls and gadroons. The lighter has a flame adjustment dial Under the lighter is engraved the Ronson brand, as well as a label with the control number. Ronson Queen Anne was a very popular wick lighter...

From the Stoke-On-Trent pottery works of George Jones, a spectacular three-piece Majolica sardine box, Staffordshire, England, dated 1870. In a lovely soft color palette of lilac ...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A very beautiful English oval porcelain serving bowl with fruits and vegetables edged in gold, Royal Worcester, circa mid to late-20th century, En...

A good antique carved oak English George I wainscot chair, Yorkshire, circa 1720. The chair with a carved back crest with scrolled interlaced carving below and a pair of turned finia...

Beautiful 19th Century Rosewood Writing Slope Decorated With Stylish Inlay Throughout. The slope features a well executed fitted interior. Interior when folded out, is finished wit...

19th century mahogany campaign chest from England. This style of chest is so wonderful in its simplicity. It can be blended with many different styles and in that way is very versa...

Windsor stool in dark Wood with rich Patina, England 1920's Measures: Height 52cm, Width 34, Depth 34, Diameter seat 31 cm.

This antique English trolley, crafted in the 19th century, features three fixed rectangular tiers in richly patinated mahogany, supported by turned baluster legs with reeded detailin...

Vintage sculptural pair of antique brass candle holders features an open barley twist design and round tiered bases. The design is a 20th century version of historical Jacobean Revival style that was quite popular in early 20th century. Similar open barley twist candlesticks were created by several English manufacturers, such as Peerage, Coseley, and Nestor of Birmingham, in 1920s-1930s. We are offering 2 pairs of barley twist candle sticks...