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Vintage Ladder Motif Deep Maroon Ait Bou Ichaouen Carpet, circa 1960

$4,095.20List Price

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1960 s Orange and Purple Ait Bou Ichaouen Berber Talsint Moroccan Carpet
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Vintage Berber Aït Bou Ichaouen Talsint Moroccan Runner with Tribal Style
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Vintage Berber Ait Bou Ichaouen Moroccan Rug with Tribal Style
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Vintage Berber Ait Bou Ichaouen Moroccan Rug with Abstract Expressionist Style
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Playful Vintage Moroccan Aït bou Ichaouen Carpet Curated By Breuckelen Berber
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A playful piece from the Aït Bou Ichaouen (Talsint), this vintage Moroccan carpet displays a field of hamsa (#hashtag) motifs, that while looking randomly placed, actually form lozen...
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Playful Vintage Berber Aït bou Ichaouen Carpet Curated By Breuckelen Berber
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This vintage Moroccan Aït Bou Ichaouen carpet exhibits a more abstract approach to works from this tribe. Vertical male sawtooth and motif chains accentuate the long and narrow propo...
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Vibrant Red Vintage Berber Aït bou Ichaouen carpet curated by Breuckelen Berber
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Pair of Large Carved Moba Tchitchiri Sculptural Figures, Togo, circa 1930
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Composition with a Figure by Teddy Millington Drake, circa 1963
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Pair of Ebonised Anglo-Indian Side Tables, circa 1860
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Composition with a Figure by Teddy Millington Drake, circa 1963, Signed
By Teddy Millington-Drake
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Oil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...
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