Galerie Shabab Collection Mid-20th Century Persian Sarouk Rug

This Early 20th century Persian Sarouk rug, measuring 2' 1" x 2' 9", is a fine example of the artistry and sophistication that defined the weaving traditions of Sarouk during this pe...

This Mid-20th century Persian Sarouk rug, measuring 2' 0" x 2' 5", embodies the timeless artistry of Sarouk weaving, renowned for its refined elegance and balanced floral motifs. The...

This Early 20th century Persian Sarouk rug, measuring 3' 5" x 6' 6", is a superb example of the artistry and elegance that established Sarouk carpets as some of the most prized Persi...

This Mid-20th century Persian Lilihan rug, measuring 1' 6" x 1' 9", reflects the village weaving traditions of the Arak region in central Persia. Lilihan rugs are admired for their d...

A wonderful early 20th century Persian Sarouk rug with a large central floral medallion woven with myriad flowers and scrolling vines, surrounded by a border with a repeated floral a...

A charming early 20th century Persian Sarouk rug with a central floral medallion living in a field with a mirrored floral pattern, all surrounded by a simple repeated floral pattern ...

A petite early 20th century Persian Sarouk rug with a mirrored floral pattern across the field, surrounded by a simple floral and scrolling vine patterned border, and all woven in tr...

Sarouk is a name of a village situated about 25 miles north of Arak (Sultanabad). This region became one of the most active regions of carpet weaving in the late 19th century through the early 20th century. The city's most famous designer was named Farahan. To be able to compete with Kashan in rug commerce, Farahan designed rugs with center medallion motives. Today, these carpets are referred to as Antique 19th century Farahan Sarouks. In the 1920s and 1930s a well-known rug dealer in New York thought that Americans would buy rose-field carpets with blue borders and detached floral motives. During that period, a vast number of Sarouks with rose-fields and all over floral patterns were woven and exported to the American market. However, the natural dyed rose color did not stand up to the alkaline bath to which new rugs in Arak were subjected in the finishing process. The rose color faded radically. But instead of changing the finishing process or changing the composition of the dyes to stand up to alkali, New York merchants "solved" the problem by arming their staffs with synthetic dyes and little paint brushes with which they painted back in the rose-color in the entire fields of thousands and thousands of rugs and carpets over a period of 20 years. Today, Antique Sarouk rugs and carpets...