Rya carpet Kolmården by Marianne Richter, Östergyllan, Sweden, 1960s

Swedish textile artist Marianne Richter is internationally revered for her range of extraordinary rugs, carpets and large tapestries. Her textiles featured a variety of provocative geometric shapes in warm earth tones and dazzling graphic patterns.

A master in her field, Richter created works that adorn Swedish embassies all over the world. One of her most notable pieces was a 200-square-meter wall hanging that she created for the United Nations building in New York City. 

Born in 1916, in Helsingborg, Sweden, Richter was the second of seven children in her family. Her father was a merchant and her mother was a homemaker. 

She trained at the Technical School in Stockholm with a focus on textiles (and also eventually worked in ceramics, too). When she completed her studies, Richter apprenticed for Märta Måås-Fjetterström at MMF AB — the widely celebrated designer’s atelier — where the budding textile artist worked during the summers. After her apprenticeship, Richter went on to work for Svensk Hemslöjd — a handicraft association in Växjö, Sweden.

In the early 1940s, Barbro Nilsson — a Swedish textile designer known for popularizing Scandinavian modernism within the decorative arts — invited Richter to return to MMF AB in Båstad — this time as a designer — where she would become pivotal to the growth of the company.

In a time when machine-made textiles were gaining popularity, Richter became a leader at the facility and her innovative mid-century modern works — as well as those produced by Nilsson and designer Ann-Mari Forsberg — brought considerable attention to MMF AB, which is still Sweden’s foremost atelier for hand-woven art textiles.

The wall hanging that Richter designed for the United Nations building in Manhattan was commissioned by the Swedish government (it was intended for the Economic and Social Affairs Council Chamber, which was designed by Sven Markelius). For more than a year, ten artisans at MMF AB worked with wool and linen to produce Richter’s design. In 1968, the piece had to be restored as it began to disintegrate, partly owing to an effect that chemicals had on the textile as part of a fireproofing process that took place when it arrived in Manhattan.

Richter continued to work at MMF AB until the 1970s, creating pile rugs, flatwoven rugs and tapestries, while also teaching at the Konstfack University of Arts, Crafts and Design in Stockholm. She died in 2010.

Find vintage Marianne Richter rugs and carpets on 1stDibs.