Fine Transitional Rug by Keivan Woven Arts With Stylized Geometric Motifs

This Khotan features a geometric all-over design flanked by a repeating pattern in the border. The entirety of the piece is rendered in light neutral tones, which makes it a versatil...

Modern Khotan Rug, Keivan Woven Arts/ rug -592009, country of origin / type: India / Khotan, circa Early-21st Century. Measures: 11'9" X 14'6"

Contemporary Oushak Rug by Keivan Woven Arts . rug OB-103432980, country of origin / type: India / Oushak, circa Early 21th century. Measures: 7'9 x 9'9 This hand-knotted modern Ou...

Nepalese modern rug in Variegated Sand-Tan, rug 19-0829, country of origin / type: Nepal / Modern This rug from Nepal features a modern all-over des...

A stunning modern Turkish Tulu rug that is sure to add a touch of warmth and luxury to any space. This rug has been meticulously handwoven using traditional techniques, ensuring its ...

Oriental Hand Knotted Turkish Modern Rug 9'4" x 11'11" #7057 Explore a curated collection of hallway runners, wool rugs, and handmade masterpieces where elegance meets functionality....

This Turkish oushak rug is a stunning piece of art that has been handwoven using traditional techniques by skilled artisans. The rug features intricate patterns and a soft color pale...

This rug has an interpreted design composed of a geometric lattice pattern taken from a part of the Mamluk rug, filling the field elegantly, has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and vivid colors are used for this rug. Color summary: 2 colors in total; Imperial Red 426 (Madder Root) Sunray Color 405 (Henna) Group: Islamic Rugs...