Baroque Revival Furniture

They can be sold separately A magnificent Mid Century baroque Ferrarese table "biscotto" with six chairs, all hand-carved blond walnut and the top finished with Ferrarese burl walnu...

One of the main trajectories of French Modernism was dedicated towards a revival of a classical iconography. Motivated from a reaction towards the often rigid and austere mood of the...

Massive French wrought iron sconces with frosted flame globes suitable for interior or exterior use from the 1930's. From an important, massive estate in...

Venetian Baroque mirrored console or vanity, of the period 1930s, by Testolini-Salviati Jesurum. Mirror and other parts in solid wood, in hand-carved walnut with gold leaf finish. Ca...

Code: FY85 Very elegant baroque sofa settee, Barchetta, Art Deco period, the 1930s of the 20th century. Empire style with precious upholstery French fabric with figures of classical...

Florence neo-baroque Console Nightstand by Dini and Puccini, in Hand-carved Walnut, with drawer, wax polished About Florence Baroque During the Renaissance, Tuscany was at the cen...

Recently salvaged from old Downtown Buffalo New York church rectory, lifesize carved wood statue, "Joseph" which once adorned the vestibule, well executed, wonderful detail, great si...

Magnificent high style parcel-gilt wrought iron floor lamp of extraordinary quality. Attributed to: Serge Roche, verre Églomisé by Robert Pansart, and manufacture by Gilbert Poillera...

Rare French mid-century dramatic plaster pendants / chandeliers in the form of three intersecting sea shells by Jean Charles Moreux (1889-1956). Moreux was the first interior designe...

Antique 1930s table lamp in patinated Pewter, Baroque style, Fonderia d'Arte Adriano Vallin, attributed. Height patinated pewter cm. 30.

Superb Quality French Ormolu and Marble Coffee Table This is a a very unusual piece the base is made in brass ormolu with intricate chased decoration The top is a beautifully figu...

Early 20th century pair of Venetian Baroque serpentine nightstands, in carved walnut and burl walnut , restored and polished to wax Measure cm:...

Elegant Venetian chest of drawers from the 1930s produced by Atelier di Varedo and attributed to Gaetano Borsani, with shaped top and rounded shapes with 4 drawers, made of veneered walnut. Golden brass opening handles. Revised and wax polished. His two bedside tables published with code FP12b About Gaetano e Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...

Magnificent Italian sideboard by Michele Bonciani & Figli, a renowned cabinetmaker active in Cascina (Pisa) during the late 19th and early 20th centuries. This piece is a refined exa...