19th Century French Gothic Walnut Armchair with Embroidery

Antique French Neogothic Armchair ~ Desk Chair is an instant classic! Such chairs were designed for work before the days of ubiquitous casters. The low wraparound seat back provided ...

19th Century Italian Renaissance corner armchair was designed to take advantage of an otherwise unused space in the corner. Sculpted ...

19th Century Italian Renaissance Revival Walnut Swiveling Desk Chair is more artistic sculpture than mere furniture! Hand-carved from solid walnut, it features a circular seat that ...

19th Century French Napoleon III Period Rosewood salon chair is an elegant example of Fine French craftsmanship using exotic imported wood from the Americas. Sometimes called Kingwood, rosewood is known for its natural beauty, color, hardness, and ability to last for eons. This example combines elements of the Louis Philippe form with accents from the Louis XVI style, with a graceful shield-shaped seatback carved with flowing ribbon at the top of the arched crown. The remainder of the seatback follows tailored lines accented with scrolls for a tailored opulence. The seat itself is beautifully contoured and upholstered in mohair, and features gracefully scrolled legs, with the front legs molded for added visual appeal while retaining an austerity of form that is the essence of understated elegance. If you act fast, a twin chair...

Neo-Gothic walnut armchair, 19th century Large neo-Gothic walnut armchair, 19th century, cathedral seat. H: 126 cm, W: 63 cm, D: 50 cm

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

Early Gothic Revival Solid Rosewood Nursing Chair - with Shell Crest, Twist Column and X-Stretcher - 22"w x 20.5"d x 45.5"h (17"h to the seat)

Solid dark oak, four-post feet connected by wide bridges. On both sides straight armrests, high backrest crowned by sculptural carvings. Seat and back upholstered and covered in Clas...