Early 19th Century French Empire Armchair, Fauteuil, Paris, circa 1815

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Antique French round arch portal clock France (Paris) Bronze, enamel Empire circa 1820 Dimensions: H x W x D: 47 x 26 x 12 cm Description: Very beautiful, strictly architecturally...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...

Large Empire chest of drawers Paris Mahogany Early 19th century Dimensions: H x W x D: 97 x 136 x 68 cm Description: The architecturally designed front of the chest of drawers is divided into three zones. A plinth connected to the floor forms the lower section, on which two sturdy columns rest, supporting the upper section, which houses a large drawer. Three further drawers are housed in the centre section of the chest of drawers, which recedes behind the columns. A black granite top forms the upper end. The drawers, the back panel and the body are made of oak, except for the panels in the side walls. The top section with the ledge drawer is connected to the body with wooden wedges and can be removed for transport. This detail can be clearly seen in one of the photos. Exquisitely beautiful mahogany veneer, horizontally mirrored on the drawers at the height of the key entrances, enlivens the smooth surfaces on which the lavishly gilded bronzes unfold their effect. Some of the very finely crafted fittings can also be found on Empire furniture by Jacob...