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Fireside Chair, Adolf Loos for Thonet, Austria, 1930s

$3,912.39List Price

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Oak Fireside Chair Attributed to Adolf Loos, 1930s
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Office Chair No.6150 by Adolf Loos for Thonet
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The Secession office chair no.6150 is a classic piece of furniture designed by the influential Austrian architect and designer Adolf Loos in the early 20th century. It was executed b...
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Windsor Chair B952F by Adolf Loos for Thonet
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Windsor chair B952F by Adolf Loos for Thonet in very good original condition.
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Office Chair No.6150 by Adolf Loos for Thonet
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Secession office chair no.6150 by Adolf Loos executed by Thonet. Professionally stained and repolished.
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1930s Adolf Loos Office Chair Model 669 for Cafe Capua by Thonet
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- Carefully refurbished and finish by shellac. - Measures: height of the armrests are 71cm. - height of seat 44 cm.
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Armchair number 6151 by Adolf Loos for Thonet, 1900s, France
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Armchair number 6151 by Adolf Loos for Thonet, 1900s, France Adolf Franz Karl Viktor Maria Loos( 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influ...
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Set of Four B 952/F Armchairs by Adolf Loos for Thonet
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Designed in 1903 by the pioneering Austrian architect and designer Adolf Loos, the B 952 F armchair represents a rare convergence of utilitarian form and refined craftsmanship. Execu...
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Pair of Secession Armchairs Atr. Adolf Loos Ex. by Thonet
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H 43.31 in W 23.63 in D 19.69 in
Armchair (6) — Adolf Loos — Café Capua
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Adolf Loos Café Capua Armchairs by J.J. Kohn, c. 1900–1910 These Café Capua armchairs, designed by the renowned Austrian architect Adolf Loos and produced by J.J. Kohn between 1900 ...
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F. O. Schmidt - Adolf Loos - Armchair - Bureau Chair - Leather, Oak
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Bureau Chair (Armchair) Vienna, c. 1900, Design by Adolf Loos, Manufactured by F. O. Schmidt, c. 1905/10 This elegant Bureau Chair, designed by renowned architect Adolf Loos, is a d...
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H 35.44 in W 25.6 in D 23.63 in

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A model 31 armchair designed by one of Finland's most prestigious Modernist designers and architects, Alvar Aalto. The model 31 was designed by Aalto during the 1930s whilst he was working alongside his wife and partner, Aino Aalto, on the Paimio Sanitorium. Aalto won the commission for the tuberculosis hospital in 1929, and over 4 years built a gesamtkunstwerk, "total work of art", dedicated to physical and mental wellness in every capacity possible. Aalto described the sanatorium itself as a "medical instrument", prioritising ventilation and heliotherapy (sun exposure), with furniture functioning a core part of this finely tuned instrument. The low seat and gently reclining form of the model 31 is indicative of the environment of restfullness which Aino and Aalto sought to construct at Paimio. Much like the eponymous "Paimio Chair", the most recognised design from the project, the model 31 shares the scroll-like expression created by the continuous seat and back. However, unlike the "Paimio Chair" the model 31 has a cantilevered construction created by the sweeping curves of the laminated birch frame, inspired by the original "Freischwinger" by Mart Stam from 1926. This particular armchair was once owned by British artist and designer, Max Clendinning, and his partner Ralph Adron...
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