Italian Armchairs

Ornella armchair is made up of a wooden frame padded with polyurethane foam and covered with a top layer of acrylic fiber. The back is characterized by large vertical quilting, while...

What can one say about our French art deco style cube chairs ? Well firstly, If looks could kill these chairs would be mass murderers. In my opinion these are possibly one of the most stunning pairs chairs on the market today, the impact of these chairs and the contrast of the materials makes for some serious eye candy. The chairs themselves are a wood frame clad in a gloss black formica and trimmed in brass. The seat is one large and firm cushion and the back cushion is like a bolster style cushion. The fabric is a green cotton velvet. Due to the materials used we imagine that the chairs likely date from the late 70s / early 80s. We believe they are Italian. There are various suggestions of the creators name online such as Alain Delon however we believe the plaque bearing the signature on the side of the chairs says A Rocchi...

Satin is a classic model in Louis XVI style, revisited in a modern key thanks to the velvet upholstery in a delicate shade of grey. It features a hand-carved wooden structure with go...

"MT1" is an iconic sculptural polyethylene monobloc armchair, designed by Ron Arad and manufactured by Driade, sand white colored outside and red, lilac, black or violet colored insi...

Thanks to its neutral colour palette, this chair makes the ideal furniture piece for inserting in sophisticated residential interiors or the most refin...

A fine Italian 19th century Baroque style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon...

The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, ful...

Gorgeous pair of Enrico Pellizzoni Pasqualina armchairs designed by Grassi & Bianchi. The chairs were manufactured in 2014 and are meticulously maintained. This elegant chair essenti...

Italian mid-century modern armchair Nike by Richard Neagle for Sormani, 1960s Armchair mod. Nike with external structure in yellow painted metal. The structure rests on a round base ...

Armchair opal with structure and armrests in solid walnut wood. Treated with natural pine extracts. Upholstered and covered with Italian genuine leather, category D4 in chocolate ...

Elegant bamboo and rattan chests of drawers by Vivai del Sud, crafted in Italy during the 1970s. Each piece features woven rattan panels, bamboo framing, and brass recessed handles -...

Pair of armchairs by Studio Tecnico Italy A.P.A. and designed by Lenzi 1950s. This fantastic pair of armchairs are made in Italy and features a well-proportioned construction of s...

A new shape for a non-padded chair, three-dimensional geometry derived from the cellular genesis of sewn petals using the layout of a graphic structure with a triangular base. The re...

Wingback chair, fabric, wood, Italy, 1950s. This Classic Italian Postwar wingback chair has an unusually high back and gracious wings that contain dramatized pointed corners. The el...

Pair of Italian armchairs, Ico Parisi style, 1950s. Dimensions: H= 69 cm; W=87 cm; D= 72 cm; height seat= 35 cm.

Pair of armchairs made in Italy in the 1970s, style inspired by the space age period. Original corduroy upholstery in shades of plum and red. Compact lines and soft volumes, with low...

Kiushu club chair in red Alcantara fabric, made in Italy circa 1960 by Saporiti. This chair, equipped with a chromed steel frame, features a very distinctive sloped back at the bott...

Mid-18th Century baroque hand-carved 1750 Venetian walnut armchair. Straw seat not original. The 18th Century was in Venice the Golden Age and this armchair is a remarkable work by ...

Vittorio Introini Pair of chromed metal and leather armchairs, for Saporiti, Italy 1965. Measures: 67.00 x 72.00 x 75.00 cm

Zanotta Gilda CM Armchair in Blue Upholstery with Canaletto Walnut Frame by Carlo Mollino Frame in natural or black varnished oak, or in natural Canal...

Set of 8 Mid-Century (1950s) Italian Modern dark brown finished walnut armchairs with shaped frames and red vinyl upholstered back rests and seats, standing on tapered front legs and...

- good original condition included fabric upholstery -There are visible wormholes in the wooden parts nevetherles the chairs are sturdy and stable and the chairs has been treated a...

Marco Zanuso "Square" Armchair for Arflex, camel velvet, Italy, 1962. The design of Marco Zanuso's "Square" armchair, produced for Arflex in 1960s, reflects his commitment to modern...

The Don’do rocking chair and the first rocking chair by Poltrona Frau is the contemporary reinterpretation of a Classic for leisure. It was designed by Jean-Marie Massaud and combines a clear and secure character with great attention to comfort. Don’do is a new testament to the high level of craftsmanship applied to contemporary design, a perfect balance between lines, bends and thicknesses achieved through skilled artisanal techniques. The structure and armrests of the Don’do rocking chair are made of cast rigid polyurethane, which is reinforced with a metal insert. The feet are made of valuable, steam-bent solid oak with an antique walnut look. Cover made of Pelle Frau® leather. A special longitudinal seam decorates the entire covered surface of the structure. The height of the headrest cushion can be adjusted with a perforated belt...

Gianni Moscatelli dining chairs for Formanova, black faux-fur and iron, Italy, 1968, set of twelve. These chairs represent timeless items designed by Gianni Moscatelli for Formanova...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

This rare early armchair designed by Guglielmo Pecorini and expertly crafted by Edizioni I Due Forni is a true testament to the marriage of form and function. The frame, constructed ...

Large set armchairs or easy chairs in the style of Saporiti, Italy, in the 1970s These stunning mid-century easy chairs are made in Italy circa the 1970s in the style of Saporiti...

Its characteristic is based on the structure: a classic triangular construction, which is repeated several times around the model, so that you can admire it from each point of view. Additional information: Materials: Upholstered seat with Black legs Color: Boucle 6, T3 Base: Black finish Structure: Metal Frame upholstery: Moulded polyurethane foam / polyester slip cover. Seat cushion upholstery: Shaped polyurethane with differentiated density / polyester slip cover. Backrest and armrest cushions upholstery : Polyester fiber, cover in polyester fiber and cotton. Feet: Black lacquered metal and protective nylon glides. Belt: Testa di moro cow-hide. Cover: Fabric. Not removable cover. Dimensions: W. 100 x D. 82 x H. 70 Seat height: 42 cm Available in other upholstery option: Aran, Beddy, Brest, Cabas, Etoile, Glace, York/Devon, Boucle, Cherie, Lama, Ortiz, Walls, Blog, Hero, Steelcut 2, Divina md, Gamma Available in other version: Love cushion...

Questo set di 2 chaise longue in pelle di pecari, progettato da Guido Faleschini negli anni ’70, è un esempio perfetto del design italiano dell’epoca, caratterizzato da eleganza e qu...

'Via del Corso' Armchair by Man of Parts Signed by Yabu Pushelberg Dimensions: - H. 72 x L. 82 x D. 70 cm / Seat 42 cm Model shown: Sahco, Zero, col.010 __________________ This...

chair dinning bridge or small armchairs model DU41 by the designer Gastone Rinaldi for the editor RIMA in 1956. Blue lacquered, original painting, great patina, ...

Designed in 1930 for the Tugendhat house in Brno, Czechoslovakia, the Brno chair is in the Pantheon of modern design icons. The cantilevered frame is a single piece of tubular chrome...

Elegant velvet chairs attributed to Gianni Moscatelli for Formanova. The seats are padded and covered in pink corduroy, while the stainless steel legs feature a distinctive and elega...

The Shadow armchair by Gaetano Pesce by Meritalia is moldless. It’s the result of a manufacturing process developed and perfected by Meritalia: the armchair is shaped with the inject...

Pair of vintage "TUMBLE Lounge Chairs" by Adriano Piazzesi in leather and stainless steel back structure. Italy, 1970s.

A pair of Italian armchairs in the style of Gio Ponti, newly upholstered in a light silver/grey velvet, with studs in their original position. With iron and brass legs.

Pair of Antique Armchairs in Louis Philippe Style - Italy, Year 1890 Elegant pair of armchairs dating from the late 19th century (circa 1890), made in Italy in the Louis Philippe st...

Consisting of three armchairs and seven side chairs, this superb giltwood suite was made in Italy in the nineteenth century. With slight variations in t...

Pair of original Mid-Century Modern reclinable lounge chair or chaise longue with precious white velvet with bronze color insert new uphostery. This extremely comfortable reclinable...

1970 Vintage Coronado Brown Leather Armchairs by Tobia Scarpa for C&B Italia Outstanding pair of “Coronado” armchairs, an iconic design by Tobia Scarpa for C&B Italia (Cassi...

Pair of armchairs in natural wood and veneer with slightly rounded backs decorated with marquetry of facing griffins surrounding a laurel wreath in a frame of foliage and flowers. Ar...

Filicudi lounge armchair Brass, designed by Marcantonio, is able to recreate the Mediterranean magic in your everyday spaces. Inspired by the iconic profile of the prickly pear, evok...

One of five elegant, space age dining chairs completely in chromed steel by famed Italian designer Gastone Rinaldi for Rima Italy. Produced in Italy, 1970s. Price is for a single pi...

Stunning pair of rope and tassel Louis XVI style armchairs, faux bois... Recently reupholsterd, white washed carved wood.

This piece is a brilliant and rare example of the movement known in Italy as the "Razionalismo" movement, which reached its peak between the 1920s and 1930s. Made of solid wood with...

Not much is known about Milanese architect Orlando Orlandi except that he worked with Gio Ponti for a certain period of time. It has been suggested by various sources that this specific design is also a fruit of their collaboration, but this has not been confirmed. It may be assumed that the gentlemen shared their avant-garde formal language. Graceful, powerful and very architectonic. Imagine a décor from a Luca Guadagnino...

Impressive Italian Modern Osvaldo Borsani arm chair Model P24 by Tecno from Italy 1961. Wooden armrests in combination with the metal frame make this an interesting and timeless piec...

A pair of Italian tooled leather and gilt armchairs in the Baroque / Louis XIV style. mid to late 18th Century. This particular armchair design, called "fauteuil à la reine", or qu...

Italian modern light brown armchairs Wassily by Marcel Breuer for Gavina, 1970s Pair of armchairs mod. Wassily or B3 in light brown leather. The backrest, armrests and seat are made ...

Armchair Webbing outdoor with structure in solid natural teak wood. Upholstered and covered with special outdoor fabric in light grey finish. Treated...

In a corner of Italian rationalist design history, a very rare children's armchair emerges, a masterpiece of extraordinary elegance and functionality. Attributed to the renowned B.B....

Mid-Century Modern Desk Chair by Vittorio Dassi, Italy, 1960

An Italian walnut Curule armchair from the 19th century with upholstered seat and back and X-Form carved base. This Italian 19th-century walnut Curule armchair brings a captivating b...

A Very comfortable pair of vintage "Coronado" lounge chairs in very good original condition. Original brown leather designed by Afra & Tobia Scarpa for B&B Italia. Gorgeous Italian...

"Senior" armchair by designer Marco Zanuso, original Arflex edition. Fully restored with fabric and high-end finishes. Italy circa 1960. Width : 76 cm – 29,92" Depth : 88.5 cm – 34...

NOT A 2000 SERIES Since its first appearance, the Up Series, designed in 1969 by Gaetano Pesce, has been one of the most talked about examples of modern furniture design. The excep...

A fine Italian 19th century baroque revival style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolo...

Pair of contemporary armchairs with a sculptural form, inspired by butterfly wings, handcrafted in solid teak wood by cabinetmakers in Italy. Every item LA Studio offers is checked ...

A die-cast aluminium shell made up of many small, perforated and triangular faces. Chair_One is in a certain sense built like a football, i.e. with a series of flat ele- ments joined...