Pair of Consulat Ebony-Inlaid Birchwood Armchairs Stamped Jacob Frères

Each upholstered backrest with backscrolled top rail above an upholstered seat flanked by arm rests, raised on ring-turned legs; each stamped JACOB FRERES / RUE MESLEE on back rail, three with old inked inscription M Julien...

Each with a rectangular carved panelled top rail above a pierced vertical splat and an upholstered seat, raised on front tapering circular legs and saber back legs. The exquisite qu...

A Directoire Mahogany Bergère Attributed to Georges Jacob, its curved back and padded armrests with finely carved baluster-shaped supports raised on turned front legs and sabre back legs. With a spurious Jacob stamp to back rail. The term "Directoire" refers to a historical period following the French Revolution (1789) and preceding the First Empire when Napoleon reigned, but also to a style of furniture and decoration covering a longer period from 1789 to 1804. It is characterized by the production of furniture with simplified forms and ornaments, inspired by antique decorations. The profound social and political upheavals that marked this period had a direct impact on the production of Directoire furniture. The stripping down of furniture pieces, which had begun in the 1780s under the influence of Greek art, was accentuated during this period. The abolition of guilds by the revolutionaries also forced manufacturers in the Faubourg Saint-Antoine to simplify shapes and materials. Elegant and graceful, the furniture is generally small-scale. They retain the Louis XVI structure. The Directoire style adopts clean shapes, straight lines, simple curves, flat surfaces and right angles. Lines accentuate geometric shapes inspired by Antiquity. A typical trait is the pronounced rolled-over back, similar to a scroll illustrated in our bergere, evocative of the klismos chair. Only the more luxurious pieces of furniture use mahogany, an exotic and expensive wood. Despite his humble origins, Georges Jacob rose to become one of the most renowned menuisiers of his day. Unlike many artisans who joined their fathers or brothers in the middle-class family trade of furniture making, Jacob was from a peasant family and moved to Paris at sixteen to begin his career. He apprenticed in a joinery workshop and eventually became a master in 1765. He developed a reputation for producing inventive designs for chairs, beds, and screens carved with such motifs as twisted ribbons, guilloches, beading, and fluting. Jacob's reputation grew quickly, eventually spreading outside France; the future King George IV of England, Gustavus III of Sweden, and several German princes...

The mahogany barrel back with an outscrolled crestrail and a dark red leather bowed seat raised on back saber legs and lion's mask and cartouche-carved monopodia.

A classic pair of French Empire period open armchairs each with a square back topped by a bow shaped carved frieze featuring folliate rosettes and downscrolled arms. Where the arms ...

Pair of Austrian Biedermeier (1830s) cherry veneer armchairs with round back design and maple inlay ebonized details with an inset upholstered seat.

A pair of elegant Danish early 19th century empire armchairs. Crafted in mahogany with ebony and satinwood marquetry on backrest and apron. Apron and upper part of backrest decorated...

A classic pair of French Empire period open armchairs in well figured and carved mahogany; each with a square back topped by a bow shaped carved frieze featuring folliate rosettes and downscrolled arms. Where the arms join the chair rail there are carved anthemians and palmettes. These two chairs are presented in the original now faded and worn gros point green upholstery and have their original casters. These two armchairs are actually part of a set of six. The set was split up in three sets of two's to make them more saleable. Four of the six have been re-upholstered in sympathetic empire fabric...