Peter Hvidt FD-146 Armchair, circa 1950s

One half of the influential Danish furniture duo Hvidt and Mølgaard, architect and designer Peter Hvidt created shapely works in teak and rosewood that could be mass-produced and transported at a scale rarely seen before his time. Alongside his business partner, Aalborg-born designer Orla Mølgaard-Nielsen, the pair crafted furniture which stands today as a masterclass in the combination of elegance and practicality that is typical of Scandinavian modernism.

Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry, and graduated from the School of Arts and Crafts in Copenhagen. Hvidt established his own design firm in 1940 and taught for three years at his former school, during which he designed the teak Portex chair — Denmark’s first stacking chair (this design has alternatively been attributed to Hvidt’s partnership with Mølgaard-Nielsen over the years).

The exceptional collaboration between Hvidt and Mølgaard-Nielsen took shape in 1944. A student of pioneering Danish modernist designer and architect Kaare Klint and fellow graduate of the School of Arts and Crafts, Mølgaard brought his technical prowess and eye for practical design to the partnership. Together, for more than three decades, Hvidt and Mølgaard would produce over 250 furniture designs, a legacy that included the iconic AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair was designed in collaboration with manufacturer Fritz Hansen during the late 1940s. It features double-curved laminated wood in the seat and back, and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience. The AX went into production in 1950 and eventually gave way to a series that featured tables and other seating.

Hvidt’s proclivity for forward-looking design was typical of the venturesome furniture makers of the mid-century modern era. This extended to textures and materials, too — he believed that a tasteful combination of materials could add character and visual intrigue. With Mølgaard-Nielsen, Hvidt designed streamlined coffee tables, rosewood chairs upholstered with sumptuous black leather and teak side tables with cane shelves (teak was a sought-after material for designers at the time).

The duo’s work with celebrated manufacturers Fritz Hansen, France Søn and Søborg Møbelfabrik has been a part of exhibitions at New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

On 1stDibs, find vintage Peter Hvidt seating, tables and case pieces.

The giant of mid-century furniture design France Søn began its remarkable journey as a Danish firm specializing in the production and exporting of Scandinavian design called France Daverkosen.

British businessman Charles William Fearnley France and Danish cabinetmaker Eric Daverkosen entered into a joint venture in 1936 — France being the investor and Daverkosen the head designer for their small mattress factory. Soon after production started at the France Daverkosen company, Daverkosen became quite ill.

Concerned for his friend and their fledgling business, France traveled to Denmark, and Daverkosen died soon after his partner arrived. While France was attempting to make arrangements to transfer the company into his hands, World War II erupted, and Germany invaded Denmark. As a British citizen, France was captured and sent to a prison camp in Germany.

While in captivity, France developed several manufacturing ideas to pass the time and to keep his mind focused. He imagined a way to create lightweight wooden chairs that could be manufactured on an industrial scale and transported using an economic flat-pack format. He also thought of a way to retool his mattress factory to create chair backs, seats and sofa cushions. 

Once freed, France returned to his business in Denmark and began to manufacture beech and teak goods that were gaining widespread acclaim around the world. He began to surround himself with some of the best Scandinavian designers of the time: Finn Juhl, Grete Jalk and Ole Wanscher, to name a few.

By 1954, France Daverkosen accounted for 60 percent of all Danish furniture exports and their factory employed 350 people. Charles’s son James joined the company in 1957, which resulted in the name change to France Søn.

Later, France Søn was acquired by Danish designer Poul Cadovius, who folded it into the operations at CADO, a company he founded during the 1950s. 

On 1stDibs, find France Daverkosen seating, tables and more.