Sexy Silk Italian Boudoir Bench

Bench Boudoir Walnut with solid walnut wood base and with set upholstered and covered with genuine leather in Corda finish. Also available with other leather color or fabrics, on re...

A wonderfully elegant and simple design. This is a custom order with 6 yds COM (5 ft) and your choice of wood finish. It can be made in variety of sizes.

Bespoke arm bench by Lost City Arts. A wonderfully elegant and simple design. Custom sizes are available. Retail price is for the bench as pictured.

Condition Original Vintage Condition, New Upholstery Recommended This French Louis XV Rococo style boudoir dressing bench features a beautifully carved walnut frame with scrolling ...

Pair of hand carved walnut rectangular shaped benches. Covered in later silk velvet fabric and fringe. The scroll legs give elegance to these benches.

This Auffray style carved walnut French Louis XV boudoir bench is an elegant example of refined craftsmanship and timeless Rococo-inspired design. Featuring a beautifully carved waln...

One-of-a-Kind! Authentic vintage (circa late 1800's) Asian Shandong bench hand-built from solid elmwood. Primitively constructed with mortise & tenon jo...

Italian bench with carved legs and stretcher, recently reupholstered.

This Napoleonic French carved walnut Louis XV style boudoir bench from circa 1920 is a timeless piece that embodies elegance, craftsmanship, and refined decorative appeal. Beautifull...

This 1930s Italian bench is so over-scaled, and monumental in appearance, that it seems to have been made for the large room it was destined, rather than the comfort of a typical sitter. As such, it would function equally well as a low side table or a high cocktail table. We’ll allow the buyer to determine its use. The designer was Pierluigi Colli, and the fabricator Martinotti, the Turin furniture and interior decorating firm that was established in 1831, and exhibited at the 1876 Philadelphia Centennial Exhibition and the 1904 St Louis World’s Fair. Colli’s family owned a textile company that supplied Martinotti with upholstery fabrics, suggesting nepotism had something to do with his being hired as the firm's director in 1926. Nevertheless, he proved himself worthy as a designer and a businessman. Having studied in Paris at the Ecole des Arts Decoratifs, he befriended leading French designers, and arranged for Martinotti to retail Lalique glass and Jean Perzel lighting. In addition, the quality of their work, and Colli’s dedication to the modern design movement, prompted Carlo Mollino, Gio Ponti, and Gino Levi-Montalcini, among others, to have Martinotti fabricate some of their furniture. Colli’s claim to fame, however, is his own work as a designer, and his ability to master the vocabularies of every trend from Art Deco to midcentury modern. During the Great Depression, when nearly every nation floundered economically, fascist Italy...