Chrome and Velvet Chair, Sergio Asti, 1970s

Pair of SQ model chairs, in the style of Willy Rizzo, 1970s. Metal frame with seat and back fully reupholstered in off-white textured fabric. Very good condition. DV4374-4375

“PK9” chair designed by Poul Kjærholm for Fritz Hansen in the 1960s. The chair is fully upholstered in black leather and the base is in brushed stainless steel. Also called "tulip ch...

Designer Raphael Raffel chair from the 1970s. The seat and backrest are in white leather, and the base is made of metal. In very good condition. LP974-LP975-LP976

"Pat Conley II" armchair designed by Philippe Starck for XO in the 1980s. Its design features a black anodized tubular metal frame paired with a molded seat and backrest, offering a ...

This vintage mid-century modern armchair from the 1970s features a minimalist frame constructed from tubular chrome, paired with black faux leather upholstery on the seat and backres...

Vintage chrome chair, newly upholstered by previous owner. The upholstery shows some sighns of use (see photo). Seat hight is 43 cm. There is anot...

A sleek and sexy pair chrome cantilevered chrome chairs in the style of Milo Baughman, made by Design Institute of America. Each chair is sold individually and there are two availabl...

Modernist lounge chair in tubular chromed steel, camel velvet, Italy, 1970s With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in a camel velvet, contributing warmth and tactility to the otherwise minimal composition. The contrast between the industrial frame and the sensual upholstery echoes the experimental ethos of postmodern design, reminiscent of the aesthetic explorations of Giandomenico Belotti or Cini Boeri, whose work often blended technical rigor with emotional appeal. Though the author of this piece remains unidentified, the chairs stand out as emblematic of the avant-garde production of the Italian furniture scene during the late 20th century, when designers sought new formal languages through material innovation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...