Cockpit Chair in Wood Upholstered Velvet Dedar France

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and elegant chair with a solid and functional structure; the most interesting part of the chair is the elaborate and imaginative backrest with a harmonious and refined design; in the middle, there is precious woodwork, carved with skill and ability by a master cabinetmaker; the front legs have been meticulously turned to give them a light and proportionate shape, while the rear ones have a slightly curved square section; the seat top is removable and a wooden pin on the front crossbar allows the top itself to fit perfectly into its natural housing. The seat upholstery was replaced in ancient times and is in good condition (a bit of wear on the front, see photo) so we did not consider doing any restoration on the whole chair because its authentic look and slight imperfections make it really seductive and fascinating and attest its antiquity. The chair was handcrafted in Denmark in perfect Biedermeier style using African...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Very comfortable and elegant upholstered armchair; the frame is very solid with sturdy legs made of polished and brushed brass; the seat is deliberately low but large and comfortable; the wide overall appearance has soft and pleasing lines, perfect for conveying a feeling of comfort and well-being. The armchair was made between 1960 and 1963 by an artisan workshop in Meda (Milan, Italy) that collaborated with several Lombard architects; for the creation of the armchair, the artisans were inspired by architect Marco Zanuso, following his design. Marco Zanuso (1916-2001) was among the greatest interpreters of the culture of the modern, as an architect, designer, and university lecturer; he was one of the first designers to take an interest in the problems of product industrialization, going beyond the aesthetic question to incorporate technological, industrial, distribution and communication variables. The form of an object intended for serial reproduction, according to Zanuso, is thus a synthesis of opportunities, experimentation, and innovations located in the concrete process that links creativity, production, and sociocultural context. His countless creations include the Lady armchair, and the Antropus armchair...

19th century, Italy cockpit chair in turned walnut, restore and finish shellac new upholstery Measures cm: H 70\45 W 67 D 67.

Fine early 19th Century Geo III mahogany upholstered library chair. The arched back sweeps down to form armrests, with fluted baluster armrest supports to the front supported on squa...