Delphi Chair in Marmo di Rima

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Marble Seat by Euromarmi Store Dimensions: D 85 x W 45 x H 61 cm. Materials: Calacatta marble, Honey Onyx. Founded by Angela Stiuso, Euromarmi Store was born from the experience and...

Ossicle Marble Chair No. 1 -- Francesco Balzano x Giobagnara Available in a marble finish. For simple and sophisticated leather and marble products, look no further than the Francesco Balzano line. Born and raised in Paris, Francesco Balzano studied interior design and architecture before opening his own studio to design custom and limited editions of furniture pieces for galleries around the world. The influence of Venice, Rome, and Capri are omnipresent in many of Balzano’s products, which fashion simple elegance out of a carefully selected range of leather and marble colors and finishes. The monolithic seats, benches, and tables that comprise Balzano’s ossicle collection strike the perfect balance between organic and pure geometric shapes, thus offering contemporary luxury elevated by minimalism. The singularity of each design conceived as a sculptural piece is bound to stand the test of time. For nearly twenty years, the Giobagnara brand has combined traditional know-how and leading-edge technology to produce elegance of the highest standard. With luxurious creations available in a unique and virtually limitless color palette of leathers and suede, Giobagnara now boasts one of the most comprehensive offers of leather home accessories...

Ana chair by Marmi Serafini Designed by Arielle Assouline-Lichten Dimensions: D 71 x W 71 x H 71 cm Materials: Travertino Navona, leather, brass. Available in other marbles and leath...

Licitra chair by Pietro Franceschini Dimensions: W 62 x D 71 x H 95 cm Materials: Velvet (by Métaphores). Somebody once said ...