Pair of Early 20th Century English Egyptian Revival Chairs

An English pair of Gothic Revival style carved and painted wood chairs, circa 1920's. This antique pair of chairs from England have been intricately carved in Gothic Revival style wi...

Pair of early 20th century inlaid chippendale style side chairs Outstanding inlay work featuring floral and fauna motifs on all sides The frames are carved with Chippendale ball and claw feet...

Early 20th century unique and rare pair of Chiavarine Chairs, by Carlo Mollino in ebonized mahogany and with new red velvet upholstery. Feet in gilt brass Measure cm: H 125\50 W 43 ...

A pair of beautifully hand crafted (bench-made) Queen Anne style mahogany side chairs. Covered in muslin fabric and ready for upholstery. These chairs are in excellent condition, stu...

Late 20th Century Egyptian Revival side chairs. Features a curved rail with unique X back between contoured arms leading to regal striped upholstery. The chairs are supported by squa...

A handsome pair of 19th century Italian ebonized wood chairs. The chairs of alluring shape, with slatted legs and back. The legs of a curvaceous "X" form rising to a flat seat. The b...

Rare early 20th century dentist / medical chair made in white painted wood with dark green leather upholstered seat and neck rest. The neck rest is height adjustable so it would accommodate both adults and children when in use. The seat also has a very modernist pattern made with upholsterers decor nails similar to that of German/Swedish designer Otto Schulz and what he used on his cabinets. The high back style of chair is also very much associated with the grand father of Scottish design Charles Rennie...

19th century rustic wooden children's chair, crafted from dark solid wood. This minimalist chair brings a touch of historical charm to modern interiors. With its timeless design and ...

Pair of neo-gothic chairs with high backs and gothic fretwork and carved details. Upholstered in embossed leather.

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...