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Pair of Upholstered Chairs by Eberhard Geißler, Germany 1974

$12,500List Price

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Armchair by Eberhard Geißler for Veb Möbel Insdustie Oelsa-Rabenau, Germany 1974
Located in Utrecht, NL
VEB Möbelindustrie Oelsa-Rabenau, a notable manufacturer from the former German Democratic Republic (DDR), has been revered for producing high-quality, functional, and durable furnit...
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Pair of Upholstered Rattan and Wood Chairs for ULUV, Czechoslovakia ca 1960s
By Úľuv
Located in Utrecht, NL
The Czech company “ULUV Krásná jizba” produced some of the most beautiful Eastern European pieces of the mid-century era, both in terms of aesthetics and quality. In the emerging design landscape of 1960s Czechoslovakia, Úľuv emerged as a prominent manufacturer, crafting pieces that blended functionality with artistic flair. Even in their repertoire, these chairs are standout creations with their sculptural structures, epitomizing the innovative spirit of mid-century Eastern European furniture...
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Pair of Wooden Chairs with Upholstered Cushions, Europe First half 20th Century
Located in Utrecht, NL
This one-of-a-kind pair stands as evidence to the enduring charm of handcrafted furniture. They tells a story of craftsmanship and the timeless appeal of rustic beauty. With their da...
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Ernst Martin Dettinger Set of "6057" Ash Chairs, Germany 1950s
By Ernst Martin Dettinger
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The design of model “6057” dates to 1955, and shows the design heritage of the Bauhaus with unmistakeable mid-century modern touches. While the appearance of these chairs may seem uncluttered and simple at first glance, they subtly show the influential design schools, the Werkbund design and crafts association, and the Bauhaus legacy, illustrating the interconnections between design and contemporary history, everyday culture and the global political context in divided Germany. A (semi-)official encouraged/forced acceptance of a “gute Form” took place in Germany, which, in both the west and the east, was widely, although not exclusively, understood as a continuation of the reduced, rationalized, ornament free forms of inter-War Functionalist Modernism. These chairs are good examples of this with a streamlined, modernist look. Each of the six chairs is made of quality ash wood with a beautiful grain and colour. The subtly angular structure features straight and curved edges, combining the organicity of traditional craftsmanship and the architectural know-how of mid-century furniture designers, such as Ernst Martin Dettinger. The design is in the vein of the iconic Windsor chair as the backs are constructed of slender spindles that are socketed into the solid wooden seats. The thicker spindles extending downward form the legs, and those extending upward form the backs. The masterfully sculpted and symmetrically arranged individual spindles undeniably define the overall look, but the seats and tapered legs are just as appealing. The seats are upholstered in a soft fabric enhancing the sitting and visual comfort as well. The design of this set of six offers plenty visually with a striking construction and personality. The details, such as the joinery and woodworking reveal the high quality craftsmanship of the manufacturer, Lucas Schnaidt...
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Pair of Upholstered Space Age Swivel Chairs, Germany 1970s
Located in Utrecht, NL
The design philosophy of the 1970s in Germany was often focused on functionality and ergonomics, but with a playful twist. There was a tendency to mix and match styles and materials,...
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A Pair of Oak Cocktail Chairs, Europe 1950s
Located in Utrecht, NL
Mid-century modern design is characterised by clean lines and simple colours. The style promotes a sleek look and eliminates overly decorative embellishments. Designers of the mid-19...
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