Step Stool Chair

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality. The 33 Step chair...

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality. The 33 Step chair...

Aqua Botanica Step stool by WL Ceramics Designer: Edward van Vliet Materials: Porcelain Dimensions: H36 x Ø56 cm At WL CERAMICS we make porcelain with passion. We are a family run ...

We are  delighted to offer for sale this lovely antique Arts & Crafts Victorian metamorphic library steps chair in oak with period upho...

With horizontal tablet crestrail with scrolled ends over down scrolled arms raised on saber legs, chair folds forward to form a ladder.

We are delighted to offer for sale this large and collectable lightly restored William IV circa 1830 Flamed Mahogany, metamorphic armchair which converts into Library steps attributed to Gillows of Lancaster and London. This is a wonderful piece of English history, I have never seen another with such elegant turned front legs, usually they are plainer and straight timber. The seat pad has been upholstered with a grey linen, the steps and raw flamed mahogany and look amazing. This chair is an important and extremely expensive looking thing that commands attention in any setting. You can see the same model made by Gillows currently viewed in the Victorian & Albert Museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

We are delighted to offer for sale this pair of large and collectable Regency style metamorphic armchair which converts into Library steps after the original 18th century design by Gillows of Lancaster with Burr Walnut panels A very good looking and well made pair, I have never seen a Regency style piece with Burr Walnut panels before, the leather seat pads have been restored by my leather polishers, they have been hand dyed six times, antiqued and sealed The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

This fine original natural aged surface Windsor side chair is in fine condition with mellow wear. It is strong, sturdy condition. This was found in New England collection.

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality. The 33 step chair...

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality. The 33 step chair...