A Louis XV Style Painted Frame Chaise Longue

Elegant French Louis XV style giltwood chaise longue, with nicely-carved flower cartouches on the head and foot, floral carvings on the seat rail and other rococo ornaments. Upholstered in lovely silk lampas fabric...

This Antique French Chaise Longue Chair, dating back to the mid 1800s, exudes elegance and sophistication with its fabulous green upholstery and intricate scroll arm design. The chai...

Regency Style Painted Mahogany Chaise Lounge, scrolled ends with painted floral design, striped upholstery, on brass casters. 27" H x 56" W x 20" D. Provenance: From a 955 Fifth Av...

Yan Chaise Longue by Doimo Brasil Dimensions: W 154 x D 74 x H 90 cm Materials: Structure: stainless steel, Seat: soleta. With the intention of providing good taste and person...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

Elegant gilt chaise lounge with Scalamandre laurel wreath silk upholstery that is a couple of years old only. Very rich and luxurious looking. Down cushion.

Jurgen Bey "Kokon Furniture" Chaise Longue. Manufactured by Droog Furniture The Dry Tech Project consisted of wrapping desolate furniture with synthetic fibers, creating ...

Alias 415 Longframe Soft Chaise Longue with Arms in Beige Seat & Lacquered Frame by Alberto Meda Chaise longue with arms for outdoor with structure made of extruded aluminium prof...

A William IV rosewood chaise longue attributed to Gillows, with deeply carved scroll terminals and arms, and turned tapering legs on disguised castors.

Black ash chaise longue sculpted by Lupo Horiokami Dimensions: D 80 x W 250 x H 72 cm Materials: Black ashwood “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese), a preliminary presupposition for manifesting, producing, originating from “nothing”. Empty space to accentuate the innate temporary beauty of things: from the traditional japanese tattoo...