Moviestar Sumptuous Tufted Velvet Gilded Neoclassical Style Chaise Longue

A true find for it's superb shape and style, an English Regency tufted bench with original horsehair stuffing, having a soft neutral tobacco taupey velvet upholstery, brass nailheads...

Classic French loveseat having painted carved frame and wonderful velvet upholstery with luxurious down filled seat cushion. Finished front and back.

Louis XVI style sofa having carved gilded wood and beautiful new upholstery. The lovely frame displays fluted columns topped by acanthus leaves. The base is composed of fluted and ta...

Antique French Louis XVI painted and carved loveseat/sofa from a 3 piece living room set having original paint and blue mohair upholstery with brass tacking. Two matching bergeres a...

1880s Victorian carved walnut chaise lounge daybed painted in a metallic gold finish newly upholstered in gold satin.

This elegant French Napoleon III style settee is upholstered in a plush floral patterned gold velvet with tassel adornments and matching bullion fringe. The beautifully curved back a...

French Art Deco style champagne colored tufted recamier with curved side and back having a giltwood frame with a single inset cushion (modern copy of: ANDRE ARBUS) Some small chips ...

Fine Regency ebonized and gilt heightened chaise longue in the manner of Thomas Hope Early 19th century Regency ebonised and gilt heightened chaise longue in the manner of Thomas Hope, the reeded show-wood frame with twin scroll ends with flower head motif and caned back, satin striped upholstery on splayed legs, terminating in lions paw foot cappings and casters. Almost certainly acquired by Rev. Daniel Shipton, during the remodelling of Crawley House, circa 1806 and by descent to his daughter Charlotte Orlebar, (nee Shipton) and by descent through the Orlebar Family, Crawley House, Husborne Crawley, Bedfordshire. Crawley House was built for Rev. Daniel Shipton in 1777 with a legacy from his wife Temperance’s family: Daniel and Temperence’s daughter and heir Charlotte married Robert Charles Orlebar in 1807 and thus the estate came into the possession of the Orlebar family. It was reworked in 1806, when the drawing room was decorated (and presumably furnished) in the Egyptian style, including the upper part of the walls divided into panel with a border of sphinxes and mummies, a scheme recorded in the surviving account book. Surviving accounts detailing Rev. Shipton’s expenditure on the 1806 renovations and extensions at Crawley house deposited with the Bedfordshire and Luton Archives and Records Service, provide great detail about internal furnishings through each room in the new part of the house in turn: Library; yellow bedroom; blue room; green bedroom; dining parlour and drawing room. Many payments were made to fashionable London firms including to Wedgewood, to Parker the famous glass manufacturer, £119.2s 11ds, to Shout for Statuary, and notably, the very large sum of £915.0s. 11d to Collier the upholsterer, considering the house cost in the region of £1,000 when it was built in 1777-8, one can only presume that Collier supplied all the furniture from as-yet-unknown London...