Leather daybed GS-195 model by Gianni Songia for Sormani - 60s

Set of six chairs mod. 993 designed by Piero Palange and Werther Toffoloni (Studio TIPI) for Montina in the 60s, Italy. Structure in solid oak, painted in brown. Backrest in curved w...

One of the first edition of the 600 c model designed by Gino Sarfatti and produced by Arteluce 1960s. This exceptional lamp has weights at the bottom as if made with bean bags...

Sergio Mazza is an Italian designer born in 1931 in Milan. In 1955 he began his free profession and since 1961 he has been working alongside G. Gramigna in the Smc studio, working in the furniture and industrial design fields. Among the various acknowledgments and prizes received, we recall the mention at the Compasso d'Oro 1960 for the Delta lamp by Artemide and the silver medal for the Italian apartment at the X Triennale in Milan. From 1967 he also began to design for Olivari, signing the Macco handles, up to the Giuliana model, with Gramigna, in 1987. In the publishing field, again with Gramigna, he directed the "Ottagono" magazine from its foundation until 1988. Artemide is a company specialized in the production of lighting accessories (lamps, chandeliers, light points), founded by Ernesto Gismondi and Sergio Mazza in 1959. The brand has been characterized since the beginning by a great attention to the design that has allowed over the years to win numerous international awards for its products. Among the most prestigious names in Italian design, Artemide is also one of the world's leading companies in high-end residential and professional lighting. Already in 1967 he received his first prize the prestigious Compasso d'Oro for the Eclisse lamp, designed by Vico Magistretti. This award is followed by many others, nationally and internationally, making Artemide one of the symbolic companies in the design lamp sector. In 1996 Artemide made its own a new manifesto, in which it still identifies itself today: with the motto "The Human Light...

Tito Agnoli’s designs are characterized by soft forms interrupted by dystonic pulses—a modernism with a baroque soul, perhaps influenced by the colonial architecture of South America...