harlow dining chair by ettore sottsass for poltrona frau, 1971

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century. He was a wild man of the Radical Design movement that swept Italy in the late 1960s and ’70s, rejecting rationalism and modernism in favor of ever-more outrageous imaginings in lighting and furniture such as mirrors, lamps, chairs and tables.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. 

The Memphis Group mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals. 

Sottsass created innovative furnishings for the likes of Artemide, Knoll, Zanotta and Poltronova, where he reigned as artistic director for nearly two decades beginning in 1958. His most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most inspired and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

Sottsass left the Memphis Group in 1985 in order to concentrate on the growth of Sottsass Associati, a design and architecture consultancy he cofounded in 1980. 

It was as an artist that Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Find Ettore Sottsass lighting, decorative objects and furniture for sale on 1stDibs.

If an Italian soldier named Renzo Frau had never traveled to Great Britain and set eyes on a Chesterfield armchair, it is unlikely that legendary handcrafted furniture maker Poltrona Frau and its classic sofas, armchairs and vanities would exist today.

Upon completing his service in the Italian army during the early 1900s, the Sardinian-born Frau worked for faux leather manufacturing company Dermoide Patent in Turin. While at the firm, he was sent to England, where he became enamored with leather Chesterfield armchairs. Intrigued and inspired by their rolled arms and tall, imposing profile, Frau returned to Turin, where he started his own leather-upholstered furniture company, Poltrona Frau, in 1912. He began to import the sumptuous Edwardian seating for the high-end domestic market. 

Frau made slight modifications to the English seat that he’d so admired, and among Poltrona Frau’s first successful designs was an iconic armchair in 1919 appropriately called the Chester. Believed to have been custom-made for Filiberto Ludovico of Savoy, Duke of Pistoia, the Chester reflected the era’s emerging Art Deco style. Frau’s chair was comfortable and functional, and he implemented the traditional upholstery technique capitonné, which refers to stuffing that is buttoned. The Chester featured a pouf and an arm that was possibly included to hold the Duke’s ashtray. The seat’s high-quality craftsmanship and integration of exquisite full-grain leather made it covetable among Italy’s elite.

When Renzo Frau died in 1926, Poltrona Frau was appointed furniture supplier to Italy’s royal family. The company furnished grand hotels, designed the interiors for Expo Turin 1928 and outfitted an Italian transatlantic ocean liner. 

For more than a century, Poltrona Frau has collaborated with hundreds of leading architects and designers from around the world. It issued such iconic mid-century modern pieces as Gio Ponti’s Dezza armchair, the 1960s-era Dilly Dally vanity by Italian designer Luigi Massoni, stackable tubular steel Movie armchairs by Italian architect Mario Marenco and French architect Jean-Marie Massaud’s sleek, angular Kennedee office sofa.

Poltrona Frau has established showrooms all over the world and creates interiors for Italian automotive brands Maserati and Ferrari. The company is owned by Haworth and continues to introduce innovative, handmade home furnishings while occasionally gazing back into time — its Chester line, a modular seating system by Poltrona Frau CEO Nicola Coropulis and Roberto Lazzeroni, is a contemporary interpretation of the founder’s original Chesterfield-style seating.

Find vintage Poltrona Frau club chairs, coffee tables, desks and other furniture on 1stDibs.