Set of Four ‘Peota’ Dining Chairs by Gigi Sabadin for Stilwood, Italy, 1970s

Icône du design italien des années 70, ce lot de trois chaises “Peota” a été conçu par Gigi Sabadin pour Stilwood. Leur silhouette sculpturale est marquée par une structure angulaire...

Step into the epitome of mid-century Italian design with this exquisite dining chair by Gigi Sabadin for Stilwood, circa 1970. Crafted from ash wood and adorned with delicate cane de...

Italian mid-century modern Chairs Canossa by Gigi Sabadin for Stilwood, 1970s Set of 6 chairs mod. Canossa with rectangular seat with rounded corners in light wood. The beige fabric ...

Gigi Sabadin “Peota” dining chair, Italy, 1971. The Gigi Sabadin "Peota" dining chairs for Stilwood, designed in 1971, showcase the great craftsmanship capacity of the artist. Craft...

Italian modern Light wood Chairs Peota by Gigi Sabadin, 1970s Set of 5 chairs mod. Peota in light wood. The seat and back are made of curved wood with rounded corners. The legs posit...

A set of six 'Esse' model dining chairs, designed by Italian designer Gigi Sabadin for Stilwood in 1973. The chairs are a wonderful example of 1970's organic design, the bent plywoo...

A sculptural and highly distinctive chair by Gigi Sabadin, designed for Emme in the 1970s. The “Pala” features a tall upright backrest, circular woven seat, and a ski-like split base...

Gigi Sabadin “Peota” dining chairs, 1971, set of eight. The Gigi Sabadin "Peota" dining chairs for Stilwood, designed in 1971, showcase the great craftsmanship capacity of the artis...

Set of 4 chairs in curved plywood by Gigi Sabadin for Stilwood, Iltay, 1970s.

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of six Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...