Christian Liaigre Opium Lounge Chair by Holly Hunt, 21st Century

In his illustrious career, the French designer Christian Liaigre created furniture and private interiors with a minimalist and restrained sensibility that would become his trademark, but never at the cost of luxury. When he began designing furniture in the 1980s, Liaigre’s clean lines and no-frills approach caused a stir and was considered unusual for the era. But what Liaigre knew best was creating elegant, exquisite designs that would stand the test of time.

Liaigre studied at the École des Beaux-Arts and the École Nationale Supérieure des Arts Décoratifs in Paris. He initially began as a furniture designer, opening his studio in 1985 before he would move toward interiors. His bold, timeless pieces were made in France using luxurious materials such as marble and cashmere in a soothing palette of neutral tones that look fresh to this day. Later, Liaigre began to design private interiors — from homes of influential figures like Calvin Klein and Karl Lagerfeld to holiday homes, offices and the cabins of private yachts. He designed the interiors of the Art Deco–era Hotel Montalembert in Paris and became known in the United States for his design of the Mercer Hotel in New York City, which opened in 1997. Soon afterward, he found himself working for hotelier Ian Schrager.

To each of his interior design projects Liaigre brought his minimalist touch, which was born from his ability to distill a broad range of inspirations — from Brancusi sculptures and African art to Art Deco furniture — into simple, balanced forms. The modest beauty of his popular Nagato stool, a small and sculptural piece of seating designed in oak in 1986, represents this vision clearly and points to some more of Liaigre’s influences: the stillness found in Donald Judd’s minimalist art and many aspects of Japanese culture.

Liaigre, who earned comparisons to celebrated French designers Jean-Michel Frank and Jean Royère, was also known for his visionary use of natural and unconventional materials and is considered to be one of the first to use wenge, an African hardwood, in combination with traditional timber such as oak in his furnishings. Liaigre’s creative foresight has ensured that today he is one of the most influential and widely imitated designers of the 20th century.

Find a range of Christian Liaigre seating, tables and other furniture on 1stDibs.

The success of Holly Hunt — both the designer and her eponymous empire of textile and furnishings showrooms — is based on instinct.

The Chicago-based Hunt trusts her own tastes, reflected in her signature lines of elegant, low-key furniture, lighting and fabrics. She also trusts her judgment about the wants of the buying public, and this savvy sensibility has allowed her to cultivate and market the work of a range of contemporary talents, from minimalists like Christian Liaigre to eccentrics like Christian Astuguevieille.

Hunt is a design world impresario — a prominent arbiter for stylish modern interiors and known foremost for fabrics, seating designs and light fixtures. Modern sophistication, attention to detail, and a desire to cultivate talented contemporary designers are at the crux of the company’s success.

Born in central Texas to schoolteacher parents, Hunt was a creative girl who made her own clothes and bickered with her mother about decor. After graduating from Texas Tech, Hunt worked as department-store buyer and costume jewelry designer before marrying and helping her husband build a multimillion dollar transport company. Her hobby was decorating their homes. After the two divorced, Hunt purchased a showroom in the Chicago Merchandise Mart in 1983. Within 10 years, she was winning applause for her understated designs, her lavish showroom parties and her eye for rising design stars. Liaigre was her first discovery. Correctly surmising that his pared-down furniture in dark wood would play well in the United States in the aftermath of the go-go ’80s, Hunt began marketing the French designer’s work in 1994.

Over the subsequent years Hunt has added a half-dozen showrooms and, following her own style barometer, has taken on other fresh talents, including glassmaker Alison Berger, French designer Christophe Pillet and couturier Ralph Rucci, making a foray into home design.

One constant over that time have been the aesthetics of Hunt’s own designs. Her fabrics — the first choice of many dealers when re-upholstering vintage seating — are understated, mixing muted colors and updates of classic patterns. Her furniture is simple and refined. As you will see on 1stDibs, the name Holly Hunt represents a sense of timelessness and sophistication.