Contemporary Fave Chair by Norr11, Chrome Frame, Yellow Fabric

Fave Chair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the main picture: Frame: Mirror Chrome Steel Fabric: Barnum Boucle Col.24 Chair W 65 cm /...

Fave Chair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the main picture: Finish: Mirror Chrome Steel Back: Leather, Spectrum, Mineral Chair W 65...

Boho Chair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the main picture: Frame: Mirror Chrome Steel Fabric: Zero col. 0012 Chair W 65 cm / D 94 ...

Fave Chair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the main picture: Frame: Mirror Chrome Steel Fabric: Megan col.104 Chair W 65 cm / D 92 c...

An early example of the sculptural 'Etcetera' chair by Jan Eskelius, crafted in the 1970s. This iconic Swedish design has a Space Age influence, combining an organic shape and bold c...

Augusto Bozzi for Saporiti, lounge chair, fabric, metal, brass, Italy, 1960s This Italian lounge chair by Augusto Bozzi (1924-1982) is characterized by a modest aesthetic due to its...

Hans Olsen. Pair of lounge chairs new upholstered with yellow Hallingdal from Kvadrat. Legs of teak. Made in the 1960s. Made by Jørgensen Møbelfabrik, model 187 Cantharel ch...

Modernist lounge chair in tubular chromed steel, yellow leather, Italy, 1970s With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in yellow leather, introducing a bold chromatic accent and a sensual tactile quality to the otherwise minimal composition. The contrast between the industrial frame and the saturated upholstery echoes the experimental ethos of postmodern design—reminiscent of the formal investigations by Giandomenico Belotti or Cini Boeri, whose work often blended technical precision with emotional softness. Though the author of these chairs remains unidentified, their design reflects the avant-garde energy of the Italian furniture scene in the late 20th century—a moment defined by material experimentation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...