Laverne International New York Lounge Chair In original black leather

A pair of Laverne lounge chairs designed by Ross Littell C.1952. Original leather cushions and chrome plated frame.

William Katavolos, together with Douglas Kelley & Ross Littell, designed the iconic model 3LC or T-chair for Laverne International in 1952. The T-chair is exhibited in the permanent ...

Laverne International “New York” Black Leather and stainless steel Lounge Chair Designed by William Katavolos, Ross Littelll & Douglas Kelley in 1955.

Very rare set - 3 identical New York Lounge Chair by William Katavolos, Ross Littel and Douglas Kelly in 1953 for Laverne International. Wonderfully detailed and chrome-plated steel...

Pair of Laverne Leather Lounge Chairs

Pair of leather sling lounge chairs designed by William Katavolos, Douglas Kelley and Ross Littell c.1952, USA. The iconic sling-back lounge chairs feature a chrome plated steel fram...

A pair of lounge chairs from the Architectural Group one line designed by William Katavolos, Ross Littell and Douglas Kelley for Laverne International. Original deep red color leathe...

3LC Laverne International T lounge chair designed by William Katavolos, Ross Litell & David Kelley with original leather. Made in USA circa 1950s. This...

Listed for sale is a pair of gorgeous and original 5-LC New York Lounge Chairs, designed by Katavolos, Littel, and Kelley for Laverne (Erwine and Estelle Laverne). These are rare and...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...