Molteni&C Piccadilly Armchair by Rodolfo Dordoni

Devon, a contemporary collection of chairs suitable for any space and circumstance, A minimal stylized structure in solid wood, with seats and backrests upholstered in soft chenille ...

The iconic D.153.1 armchair is a mid-century design by acclaimed Italian designer Gio Ponti. With a high backrest and slight recline, it features a lush fabric mix offering a contemp...

This mid-century lovechair was inspired by designer Gio Ponti's trips to Latin America in the 1950s. A winner of the Wallpaper Design Award, today the armchair is one of Molteni&C's ...

Small armchair with legs in leather and upholstery in fabric, with the external side in fabric and the internal one in fabric, with always a leather piping. Fabric: Tinto 10611/905 ...

Armchair in Premium Leather Molteni&C by Gio Ponti Round D.154.5 - made in Italy More than 60 years after the original idea, Round (D.154.5) was rebo...

Introducing the Allure Armchair by renowned designer Matteo Nunziati for Molteni&C. This stunning piece is the epitome of luxury and sophistication, perfect for elevating any living ...

Nice Delfino armchair by Erberto Carboni for Arflex, circa 1954, Italy. New upholstery, chromed steel feet, rubbers. Dimensions: 82 cm H, 85 cm D, 71 ...

Erberto Carboni 'Delfino' Lounge Chair designed in 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair is available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...