Orla Molgaard-Nielsen Teak Armchair Modell FD 145 by France Daverkosen, 60s

Warm, exceptionally versatile and crafted with a range of appealing materials, vintage Peter Hvidt and Orla Mølgaard-Nielsen furniture showcases the Danish duo’s penchant for innovation and durable design. For decades, the pair created sleek coffee tables, seductive lounge chairs and other pieces that are characterized by the practicality and elegance commonly attributed to Scandinavian modernism.

Both Hvidt and Mølgaard-Nielsen attended what is now the Royal Danish Academy of Fine Arts, with Mølgaard-Nielsen having completed his studies under the Danish furniture design pioneer and architect Kaare Klint. Trained as an architect and cabinetmaker, Hvidt established his own firm in 1940 and taught at his alma mater for a few years. After they won a design competition held in Stockholm, Hvidt partnered with Mølgaard-Nielsen in 1944 to establish their firm in Copenhagen.

The collaboration between Hvidt and Mølgaard-Nielsen yielded more than 250 designs and lasted over 30 years. Aside from having created a wardrobe for the Queen of Denmark as well as numerous architectural structures, the pair’s flagship achievements include 1944’s teak Portex chair, which is Denmark’s first-ever stacking chair (and is occasionally attributed to Hvidt alone), and the AX chair.

A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair shares commonalities with the work of legendary Finnish designer Alvar Aalto — whose output included similarly curvaceous seating such as the Paimio armchair, often designed in partnership with his wife, Aino. It features double-curved laminated wood in the seat and back — which could be mass-produced — and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience.

While vintage Hvidt Mølgaard furniture isn’t as popular as the work of Finn Juhl, a like-minded Danish modernist who helped popularize Scandinavian design in America as well as the use of teak in furniture, the innovative AX chair is similarly as expressive and inviting as Juhl’s seating. The AX was designed in collaboration with manufacturer Fritz Hansen during the late 1940s and went into production in 1950. It gave way to a series that includes tables and other types of seating.

Hvidt and Mølgaard-Nielsen collaborated regularly with Fritz Hansen, France Søn and Søborg Møbelfabrik. Their work can be found in New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.

Find vintage Hvidt Mølgaard dining tables, coffee tables, modular sofas, storage cabinets and more on 1stDibs.

The giant of mid-century furniture design France Søn began its remarkable journey as a Danish firm specializing in the production and exporting of Scandinavian design called France Daverkosen.

British businessman Charles William Fearnley France and Danish cabinetmaker Eric Daverkosen entered into a joint venture in 1936 — France being the investor and Daverkosen the head designer for their small mattress factory. Soon after production started at the France Daverkosen company, Daverkosen became quite ill.

Concerned for his friend and their fledgling business, France traveled to Denmark, and Daverkosen died soon after his partner arrived. While France was attempting to make arrangements to transfer the company into his hands, World War II erupted, and Germany invaded Denmark. As a British citizen, France was captured and sent to a prison camp in Germany.

While in captivity, France developed several manufacturing ideas to pass the time and to keep his mind focused. He imagined a way to create lightweight wooden chairs that could be manufactured on an industrial scale and transported using an economic flat-pack format. He also thought of a way to retool his mattress factory to create chair backs, seats and sofa cushions. 

Once freed, France returned to his business in Denmark and began to manufacture beech and teak goods that were gaining widespread acclaim around the world. He began to surround himself with some of the best Scandinavian designers of the time: Finn Juhl, Grete Jalk and Ole Wanscher, to name a few.

By 1954, France Daverkosen accounted for 60 percent of all Danish furniture exports and their factory employed 350 people. Charles’s son James joined the company in 1957, which resulted in the name change to France Søn.

Later, France Søn was acquired by Danish designer Poul Cadovius, who folded it into the operations at CADO, a company he founded during the 1950s. 

On 1stDibs, find France Daverkosen seating, tables and more.