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s
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Plywood Side Chairs attributed to Carlo Ratti for Legni Curvati, Italy 1950
s
$2,306.05per set
$2,882.56per set20% Off
£1,709.73per set
£2,137.16per set20% Off
€1,920per set
€2,400per set20% Off
CA$3,167.97per set
CA$3,959.97per set20% Off
A$3,458.36per set
A$4,322.95per set20% Off
CHF 1,820.87per set
CHF 2,276.09per set20% Off
MX$41,427.13per set
MX$51,783.91per set20% Off
NOK 23,288.25per set
NOK 29,110.31per set20% Off
SEK 21,262.56per set
SEK 26,578.20per set20% Off
DKK 14,629.70per set
DKK 18,287.13per set20% Off
About the Item
Vintage Midcentury Modern Italian Design Plywood Side Chairs attributed to Carlo Ratti for Legni Curvati. Made in Italy, 1950's period. Set of 3 chairs. Plywood veneer chairs in a pallisander look with black mat lacquered metal base on round movable feet. These have been slightly refinished on the wood veneer. The plywood seats are in good condition, but the bendwood has lost it's tension for about 50%. They are now very flexible and missing sturdyness for everyday use. Useable as sidechairs as they have a great design and look. One chair has a small break in one of it's front legs, does not affect it's sturdyness for sitting on it. Each chair measures 88cm x 39cm x 50cm.
Sold as a set of 3 chairs.
- Attributed to:Carlo Ratti (Designer)
- Dimensions:Height: 34.65 in (88 cm)Width: 15.36 in (39 cm)Depth: 19.69 in (50 cm)Seat Height: 18.12 in (46 cm)
- Sold As:Set of 3
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1950
- Condition:Refinished. These have been slightly refinished on the wood veneer. The plywood seats are in good condition, but the bendwood has lost it s tension for about 50%. They are now very flexible and missing sturdyness for everyday use.
- Seller Location:Oud-Turnhout, BE
- Reference Number:1stDibs: LU7434239813612
About the Seller
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- ShippingRetrieving quote...Shipping from: Turnhout, Belgium
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In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread.
The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel.
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The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism).
The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia.
In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo.
The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù.
They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould.
Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature.
In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers.
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