Set of Eight French Directoire Side Chairs, Attributed to Jacob, Circa 1800

Blue Peacock Rattan Side Chair by Creel and Gow: Measures: 19" x 21" x 38"H Seat Height: 18" Introducing Creel and Gow's exclusive wicker and rattan collection, designed by Marco ...

A rare set of six oak painted, carved and gilt dining chairs attributed to Jansen circa 1940.

Creel and Gow Juliette Rattan Chair: Measures: 19" x 21" x 35.5"H 18" seat height (Dark Frame. It also exists in a lighter frame) Introducing Creel and Gow's exclusive wicker and ra...

Set of Eight Mid-Century Framed Ceramic Tile Panels Depicting Game Animals Circa 1950s–1960s This striking set of eight mid-century ceramic tile panels features animated depictions ...

A set of six period Directoire dining chairs carved in Honduras mahogany. Identical chairs are shown in the reference book "Ebenists of the 18th century". While unstamped, this set comes with written documentation and attribution to George Jacob by a leading antique dealer in Paris from where they were purchased. Georges Jacob (6 July 1739 – 5 July 1814) the most prominent furniture maker in 18th century Paris. He produced carved, painted and gilded beds and seat furniture and upholstery work for the French royal châteaux, in the Neoclassical style that is associated with Louis XVI furniture. In his workshop he employed numerous specialist carvers and gilders. In 1785, Jacob produced the first mahogany chairs à l'anglaise, for the Comte de Provence similar in many ways to the ones on offer here. When he retired in 1796, Georges Jacob left his workshop in the hands of his two sons, one of whom was François-Honoré-Georges Jacob-Desmalter who went on to become a leading French Empire Furniture...

Set of eight French midcentury 1938 sycamore side chairs with a shaped upholstered back and seat with scroll form legs, by Andre Arbus. (ref: ARBUS, by Brunhammer, pg. 155). André A...

An important pair of Louis XVI Period "Chauffeuse" or low fireside chairs, in original grey painted finish, with lyre backs and upholstered seats, on fluted legs. Provenance: From the Estate of noted collector, Paul W. Doll, who purchased the chairs in 1952 at Park-Bernet Auction from the estate of Mrs. Theodore Havemeyer. (see photo of catalog). Attributed to Georges Jacob, circa 1780. Georges Jacob (6 July 1739-5 July 1814) was one of the two most prominent Parisian master menuisiers. He produced carved, painted and gilded beds...

A Directoire Mahogany Bergère Attributed to Georges Jacob, its curved back and padded armrests with finely carved baluster-shaped supports raised on turned front legs and sabre back legs. With a spurious Jacob stamp to back rail. The term "Directoire" refers to a historical period following the French Revolution (1789) and preceding the First Empire when Napoleon reigned, but also to a style of furniture and decoration covering a longer period from 1789 to 1804. It is characterized by the production of furniture with simplified forms and ornaments, inspired by antique decorations. The profound social and political upheavals that marked this period had a direct impact on the production of Directoire furniture. The stripping down of furniture pieces, which had begun in the 1780s under the influence of Greek art, was accentuated during this period. The abolition of guilds by the revolutionaries also forced manufacturers in the Faubourg Saint-Antoine to simplify shapes and materials. Elegant and graceful, the furniture is generally small-scale. They retain the Louis XVI structure. The Directoire style adopts clean shapes, straight lines, simple curves, flat surfaces and right angles. Lines accentuate geometric shapes inspired by Antiquity. A typical trait is the pronounced rolled-over back, similar to a scroll illustrated in our bergere, evocative of the klismos chair. Only the more luxurious pieces of furniture use mahogany, an exotic and expensive wood. Despite his humble origins, Georges Jacob rose to become one of the most renowned menuisiers of his day. Unlike many artisans who joined their fathers or brothers in the middle-class family trade of furniture making, Jacob was from a peasant family and moved to Paris at sixteen to begin his career. He apprenticed in a joinery workshop and eventually became a master in 1765. He developed a reputation for producing inventive designs for chairs, beds, and screens carved with such motifs as twisted ribbons, guilloches, beading, and fluting. Jacob's reputation grew quickly, eventually spreading outside France; the future King George IV of England, Gustavus III of Sweden, and several German princes...