Ebonized Barrel Back Four Seat Sofa and Lounge Chair in New Bouclé, USA, 1970 s

Attention designers! Equal parts comfort and style this extraordinary lounge chair has recently undergone a comprehensive and transformative restoration that features new white bouclé upholstery. Built of solid oak with an exceptional mix of minimal straight lines and gentle curves all ebonized in a silky, jet-black stain this lounger is unlike any we've ever seen. The upholstery, redone in a fabulous white cotton bouclé, perfectly offsets the black frames and is ultra-soft to the touch. Complete with new medium density foam, this chair boasts a uniquely comfortable seating experience. Ideal for both home and studio spaces this luxurious chair...

A newly restored set of two lounge chairs by Paoli. Constructed from walnut with excellent attention to contour and lines. Newly painted ebony and newly re-upholstered in Knit Stone ...

Designed by the visionary Danish craftsman Ib Kofod Larsen in the early 1950's this model chair predates his iconic (and similarly shaped) "Z" chair. However far fewer of these armle...

An exceptional architectural design. The striking, contoured arms wrap around the back for a distinctive eye-catching feature. The set is stamped Denmark and has unique design detail...

Exceptional Black Bamboo Settee pair, 2-seater, new upholstered Cushions,very comfortable seating, France, 1950s Stamped Maurice Lauer, Cogolin, South Of France. quality Vintage furn...

Pair of Black Lacquer Faux Bamboo Sofas Daybed Mid Century Modern MINT!

Modernist Sofa / Daybed, Black Wood and Fabric, 1960s

This unique curved sofa consists of two parts and whether the parts are standing next to each other or together, the design is simple and striking. The two separate part construction allows for significant versatility; the sofas can be placed close together as an accent piece, or in different parts of a space to tie the aesthetic together. Despite the understated, elegant colours, this model is still an accent piece that stands out thanks to its materials and appearance. The structure relies on an interior frame covered by the upholstered fabric. In contrast to the constructivist models produced by the members of the Bauhaus, this aesthetic is more in favour of a relaxed and welcoming look. The design uses essentially geometric forms that exude warmth by the nature of the materials. The absence of arms and the ergonomic angle at which the seat and back meet creates an impression as if the sofa is opening up, enhancing both the visual and sitting comfort of the design. The crisp lines are ever so softly rounded on the edges adhering to the modernist design idioms, while the wooden lower structure and tapered legs showcase straighter lines. The black cow hide...